全媒体时代音乐传播中的符号学原理释义

发布时间：2018-06-16 02:53

本文选题：音乐符号 + 全媒体时代　；参考：《四川戏剧》2017年08期

【摘要】：音乐符号既是具象的文本形态,也是抽象的思想代码。作为人们认识音乐的中介物,音乐符号通过传播链条进行通讯运动。全媒体时代对于新老媒体的整合,使人能够在自由的空间中即时掌握音乐信息与资源。一方面,全媒体的速度优势促使音乐符号作为"能指"的创作产物急速发散;另一方面,音乐符号本身所蕴含的"所指"是人际传播中所赋予的思想情感与文化含义,这些并不与全媒体的传播模式产生直接关联。破解音乐符号多重的内部结构与核心原理,必须从其基本属性、结构特征、美感表达、文化承载等方面进行研究,并以当代的全媒体环境为背景,思考其传播状态与现实意义。
[Abstract]:Music symbol is not only the figurative text form, but also the abstract thought code. As an intermediary of people's understanding of music, music symbols communicate through the communication chain. The integration of old and new media in the age of all media enables people to grasp music information and resources in free space. On the one hand, the speed advantage of the whole media promotes the rapid development of musical symbols as a product of "signifier"; on the other hand, the musical symbols themselves contain "what they mean" which is the ideological, emotional and cultural meaning given to them in interpersonal communication. These are not directly related to the mode of communication of the whole media. In order to solve the multiple internal structure and core principle of musical symbols, we must study their basic properties, structural characteristics, aesthetic expression and cultural bearing, and consider their communication status and practical significance under the background of the contemporary all-media environment.
【作者单位】：黄河科技学院音乐学院;中国艺术研究院;
【分类号】：J605

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