李斯特音乐会练习曲《轻盈》的演奏技术分析

发布时间：2018-06-16 15:36

本文选题：李斯特 + 《轻盈》　；参考：《山东师范大学》2017年硕士论文

【摘要】：弗朗兹·李斯特(FerenzLiszt,1811-1886)是19世纪最辉煌灿烂的音乐家之一,在音乐发展史上被誉为“钢琴之王”,他是浪漫主义音乐时期乃至整个音乐发展史上最具开创性和前瞻性的音乐家;他是集钢琴演奏家、作曲家和指挥家、社会活动家、音乐教育家等多种身份于一身的人物;他也是开启音乐听众想象力的激励者和引导者。本论文以李斯特《三首音乐会练习曲》中的第二首作品《轻盈》的演奏技术开展研究,从细致的旋律分析入手,将演奏技术与旋律分析相结合进行论述。具体分为以下三个方面:第一方面:以国内外研究李斯特的专题论文和著作为主要研究资料,了解该作品的创作背景。第二方面:围绕音乐旋律,从歌唱性旋律、半音阶、双音、踏板等方面分析谱例和作品。第三方面:结合有关李斯特钢琴演奏和教学的可靠原始资料,以及导师对笔者演奏技巧的指导、自身对该作品的演奏经验和体会,从力度、速度、触键、音色等方面进行演奏技术分析。
[Abstract]:Franz Lisztman (1811-1886) is one of the most brilliant musicians in the 19th century. He is known as the "King of Piano" in the history of music development, and he is the most pioneering and forward-looking musician in the period of romantic music and even in the whole history of music development. He is a pianist, composer and conductor, social activist, music educator, etc. He is also an inspiration and a guide to the imagination of the music audience. In this paper, the performance techniques of the second piece of Liszt's "three Concert Etudes", "Light", are studied. Starting with detailed melodic analysis, this paper discusses the combination of playing techniques and melodic analysis. It is divided into the following three aspects: on the one hand, to study Liszt's monographs and works at home and abroad as the main research materials, to understand the creative background of this work. The second aspect: around the music melody, from the singing melody, the semitone scale, the double tone, the pedal and so on aspect analysis spectrum example and the work. The third aspect: combining with the reliable original materials about Liszt's piano playing and teaching, and the tutor's instruction to the writer's playing skills, and his own experience and experience in the performance of this work, from the strength, speed, touch key, Sound color and other aspects of the performance technology analysis.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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