《讲话》视域下的贺敬之音乐文学创作研究

发布时间：2018-06-17 13:17

本文选题：贺敬之 + 音乐文学　；参考：《西南大学》2017年硕士论文

【摘要】：贺敬之,中国现当代著名诗人、剧作家、文艺理论家。其创作的新歌剧《白毛女》,歌词《南泥湾》、《七枝花》、《翻身道情》等作为时代的经典,在四五十年代的延安乃至全国都广为流传,对宣传《讲话》精神、动员抗战等都起到了巨大的推动作用。但是,学术界至今对贺敬之在音乐文学领域的研究还不是很充分,除对《白毛女》的研究外,对他的其他歌词作品每每只是点到为止,并没有深入的研究与分析,这让很多人对贺敬之词作家的身份并不了解。而贺敬之在《讲话》之后进行的大量音乐文学创作有一定的意义,他与延安的关系以及《讲话》对他的影响等都是本文想要探究的问题。本文绪论部分介绍音乐文学的概念,界定贺敬之音乐文学作品的范畴以及综述贺敬之作品研究现状,针对当下研究的不足,提出论文研究的缘起及目的。第一章主要从贺敬之童年的遭遇及投奔延安时的经历出发,去透视贺敬之对底层人民苦难生活的感受与体验,并将这种感受和体验放在《讲话》视域下去论述贺敬之在情感上对《讲话》精神的接受,从而来思考《讲话》精神是如何影响他及其创作的,审视他与《讲话》的渊源及关联。第二章论述贺敬之在《讲话》感召下的一种创作自觉,写出了大量“人民喜闻乐见”的音乐作品,以不同类型、不同范畴的创作来践行《讲话》精神。第三章主要研究贺敬之落实《讲话》精神的艺术自觉,自觉“与人民大众相结合”,吸收借鉴民间文化艺术,并且乐于在作品中宣扬《讲话》精神。第四章探究贺敬之音乐文学作品产生的影响以及贺敬之文学地位的确立等。
[Abstract]:He Jingzhi is a famous Chinese poet, playwright and literary theorist. His new opera, "White-haired Girl", the lyrics "Nanniwan", "Seven Flowers", "turning over the Road", and so on, as classics of the times, were widely circulated in Yan'an in the 1940s and 1950s, and even throughout the country, to propagate the spirit of "speech". Mobilization of the War of Resistance has played a huge role in promoting it. However, the academic research on He Jingzhi in the field of music literature is not enough, except for the study of "White-haired Girl", the other lyrics of his works often only point to the end, and there is no in-depth research and analysis. This leaves many people unaware of the identity of He Jingzhi writers. However, the great amount of music and literature created by He Jingzhi after "speech" has a certain significance. The relationship between him and Yan'an and the influence of "speech" on him are all questions that this paper wants to explore. The introduction part of this paper introduces the concept of music literature, defines the category of He Jingzhi's musical literature works and summarizes the current research situation of He Jingzhi's works, and puts forward the origin and purpose of the paper's research in view of the deficiency of the present research. The first chapter mainly starts from He Jingzhi's childhood experience and the experience when he went to Yan'an to see through He Jingzhi's feelings and experiences of the underclass people's suffering life. This kind of feeling and experience is put into the perspective of "speech" to discuss He Jingzhi's acceptance of "speech" spirit in emotion, so as to think about how "speech" spirit influences him and his creation, and examine his origin and relation with "speech". The second chapter discusses He Jingzhi's creative consciousness under "speech", writes a large number of "people like to see" music works, with different types, different categories of creation to practice the spirit of "speech". The third chapter mainly studies the artistic consciousness of implementing the spirit of "speech" in He Jingzhi, consciously "combines with the masses of people", absorbs and draws lessons from folk culture and art, and is happy to preach the spirit of "speech" in his works. Chapter four explores the influence of He Jingzhi's musical works and the establishment of He Jingzhi's literary status.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.25;J604

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