中国音乐文化史的研究向度

发布时间：2018-06-19 22:15

本文选题：中国音乐文化史 + 研究向度　；参考：《民族艺术研究》2016年05期

【摘要】：中国音乐文化史的研究具有典型的特征,并且这些特征也同时表明了一种研究趋向和维度:"系统论"说明中国音乐文化史研究始终以"整体"观照"中国音乐",无论是宏观论述,还是微观研究,都注意从"整体"出发并最终回到"整体";"发生论"说明把握一种事物的当下存在,首先应溯其本源以及生成的相关社会环境,然后探究其演化脉络;"正统论"提醒音乐史、少数民族音乐研究应当充分关注"少数民族政权"如何对"礼乐"进行继承与扩充。文章指出:研究音乐本体,是音乐学的基本任务和首要任务。以"音乐文化"之名进行研究,绝不是要"去‘音乐本体’化",而是在完成这个"基本""首要"任务的同时充分注意到:音乐是人的创造、承载、传播,而不只是音响、器物、数字;"音乐文化"是一个整体,研究不应只做"分割"与"抽取",还应回到整体;音乐本体分析要与历史学、社会学、人类学等学科方法相结合。
[Abstract]:The study of the history of Chinese music culture has typical characteristics. At the same time, these characteristics also indicate a research trend and dimension: "system theory" shows that the study of the history of Chinese music culture has always viewed "Chinese music" as a whole, whether it is a macroscopic discussion or a microscopic study. They all pay attention to starting from the "whole" and eventually returning to the "whole"; "the theory of occurrence" shows that to grasp the present existence of a thing, first of all, it should be traced back to its origin and the relevant social environment, and then explore its evolutionary context; "orthodoxy" reminds the history of music. The study of minority music should pay more attention to how to inherit and expand the Rites and Music. This paper points out that the study of music ontology is the basic and primary task of musicology. The study in the name of "music culture" is not to "go to the music ontology", but to pay full attention to the creation, bearing and dissemination of human beings, not just sound and objects, but to complete this "basic" primary "task. Number; music culture is a whole, the research should not only do "segmentation" and "extraction", but also return to the whole; the analysis of music ontology should be combined with the methods of history, sociology, anthropology and so on.
【作者单位】：中国艺术研究院音乐研究所;
【基金】：国家哲学社会科学基金艺术学项目“当下传统音声形态中的‘曲子’积淀研究”(编号14CD113) 北京市社会科学基金研究基地重点项目“京畿汉族民间宗教宣卷音乐文化的考察与研究”(编号16JDYTA012)阶段成果~~
【分类号】：J609.2

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