尼采《悲剧的诞生》中的音乐与形象

发布时间：2018-06-28 02:59

本文选题：悲剧 + 音乐　；参考：《四川戏剧》2017年06期

【摘要】：尼采在《悲剧的诞生》中提出"酒神精神"与"日神精神"两种对立的艺术冲动。他认为,希腊悲剧是酒神精神和日神精神相结合的产物。音乐和形象是酒神艺术和日神艺术的核心概念。本文通过分析梦境与醉态、希腊悲剧的诞生过程以及艺术的作用,理清了尼采眼中音乐与形象的关系。音乐摹仿意志,象征着原始痛苦;音乐超越形象,形象是阐释音乐的媒介。悲剧从音乐精神中诞生,在形象世界中完成,是形象世界中的合唱歌队。形象和音乐共同承担起美化人生的重要作用。
[Abstract]:Nietzsche puts forward two opposite artistic impulses in the birth of tragedy. He believed that the Greek tragedy was the combination of the spirit of Dionysus and the Spirit of Sun God. Music and image are the core concepts of Dionysus Art and Day God Art. Through the analysis of dream and drunken state, the birth process of Greek tragedy and the function of art, this paper clarifies the relationship between music and image in Nietzsche's eyes. Music imitates will, symbolizes primitive pain, and music transcends image, image is the medium to explain music. Tragedy is born from the spirit of music and completed in the world of images. It is a chorus in the world of images. Image and music play an important role in beautifying life.
【作者单位】：四川大学文学与新闻学院;
【分类号】：J605

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