译著《族群性、身份与音乐—音乐的地域构筑》及其书评
发布时间：2018-07-14 09:01
【摘要】：英国著名的音乐人类学家马丁 ·斯托克斯的《族群性、身份认同与音乐——音乐的地域构筑》是一部极具学科意义的著作。在当下,身份认同和族群性在音乐人类学学科中成为了重要的概念——持有"音乐可以作为一种政治工具"这一观点的学者不在少数;同时,没有音乐人类学者能够否认这些处于各种文化中的音乐正在迅速变化着。音乐传统的持有者被迫加入这种文化互动中,因而打破了固有的分类,如"民间音乐"、"艺术音乐"、"流行音乐"、"古典音乐"等等。传统的持有者同时也会竭力维护固有的传统,作为代表他们是谁的身份象征。音乐不仅仅是为建构社会空间提供标识,更是提供了这个空间被改变的方式。本书中马丁·斯托克斯集合了九个不同的个案研究,其关注点各有不同,包括流行音乐、民间音乐、仪式音乐和古典音乐,从波兰的肖邦到一个巴西小说里的人物,从爱尔兰到澳大利亚,综合运用了人类学和音乐学的方法,是一种建构人类学和音乐学两种学科间桥梁的尝试。撰稿者们提供的学术文章的多样性代表了该文集学术研究的完整性,对我们更深的学术探究有巨大的裨益。书评主要从全书的导论总述、主题词释义、分章综述、理论背景和研究方法(9位作者)以及对国内音乐人类学界的借鉴和反思五个方面对著作进行剖析和解读,并对作者其人及其思想理论、国内研究现状、引入本书的意义以及翻译心得进行简要介绍和说明。
[Abstract]:Martin Stokes, a famous English music anthropologist, is a work of great academic significance. At the moment, identity and ethnicity have become important concepts in the discipline of musical anthropology-many scholars hold the view that music can be used as a political tool; at the same time, No music anthropologist can deny that the music in various cultures is changing rapidly. The holders of musical traditions are forced to participate in this cultural interaction, thus breaking down the inherent classifications, such as "folk music", "artistic music", "pop music", "classical music" and so on. The holders of tradition also strive to preserve the inherent tradition as a symbol of who they are. Music not only provides the logo for the construction of social space, but also provides a way for the space to be changed. In this book, Martin Stokes brings together nine different case studies focusing on a variety of topics, including pop, folk, ritual and classical music, from Chopin in Poland to a character in a Brazilian novel. From Ireland to Australia, the comprehensive use of anthropology and musicology is an attempt to build a bridge between anthropology and musicology. The diversity of academic articles provided by the authors represents the integrity of the academic research of the collection, which is of great benefit to our deeper academic inquiry. The book review mainly analyzes and interprets the works from five aspects: the introduction to the book, the interpretation of the theme words, the summary of chapters, the theoretical background and research methods (9 authors) and the reference and reflection of the domestic music anthropology. The author and his thoughts and theories, the present situation of domestic research, the significance of the introduction of this book and the translation experience are briefly introduced and explained.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J60-05
本文编号：2121150
[Abstract]:Martin Stokes, a famous English music anthropologist, is a work of great academic significance. At the moment, identity and ethnicity have become important concepts in the discipline of musical anthropology-many scholars hold the view that music can be used as a political tool; at the same time, No music anthropologist can deny that the music in various cultures is changing rapidly. The holders of musical traditions are forced to participate in this cultural interaction, thus breaking down the inherent classifications, such as "folk music", "artistic music", "pop music", "classical music" and so on. The holders of tradition also strive to preserve the inherent tradition as a symbol of who they are. Music not only provides the logo for the construction of social space, but also provides a way for the space to be changed. In this book, Martin Stokes brings together nine different case studies focusing on a variety of topics, including pop, folk, ritual and classical music, from Chopin in Poland to a character in a Brazilian novel. From Ireland to Australia, the comprehensive use of anthropology and musicology is an attempt to build a bridge between anthropology and musicology. The diversity of academic articles provided by the authors represents the integrity of the academic research of the collection, which is of great benefit to our deeper academic inquiry. The book review mainly analyzes and interprets the works from five aspects: the introduction to the book, the interpretation of the theme words, the summary of chapters, the theoretical background and research methods (9 authors) and the reference and reflection of the domestic music anthropology. The author and his thoughts and theories, the present situation of domestic research, the significance of the introduction of this book and the translation experience are briefly introduced and explained.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J60-05
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相关期刊论文 前4条
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