传统古筝指法在蝶式筝上的运用与发展

发布时间：2018-07-17 22:26

【摘要】：上海作为一座全球化城市,不仅科技、经济要与世界接轨,文化也要与世界接轨。由上海音乐学院何宝泉教授设计的"蝶式筝"是在传统古筝的基础上改革出来的一项宝贵的文化成果,它的特点是:既保留了传统古筝的演奏特点,又能演奏十二平均律的旋律和快速转调,因此它为传统古筝与世界音乐接轨提供了客观条件,使中国筝的这件乐器能比较方便地进入世界的语境。由于传统古筝是21弦五声音阶排列,而蝶式筝是49弦十二音位排列,因此为了适应蝶式筝曲目的演奏,必然会对原有21弦传统筝的指法进行一定的补充和调整。本文将以"指法"作为切入点,对传统古筝以及蝶式筝的指法问题进行归纳和梳理。本论文由引言、正文、结语三大部分组成。正文由四个章节组成:第一章是蝶式筝的介绍,第二章是传统古筝演奏指法的归类,第三章是蝶式筝演奏指法的梳理,第四章展望蝶式筝的发展。
[Abstract]:Shanghai as a global city, not only science and technology, economy and the world, culture should also be in line with the world. "Butterfly Zheng", designed by Professor he Baoquan of Shanghai Conservatory of Music, is a valuable cultural achievement based on the reform of the traditional guzheng. Its characteristic is that it retains the playing characteristics of the traditional guzheng. It can also play the melody of the twelve average law and change the tune quickly, so it provides the objective condition for the traditional guzheng to connect with the world music, so that the Chinese zither instrument can enter the context of the world more conveniently. Because the traditional guzheng is 21 string five sound scale arrangement, and the butterfly Zheng is 49 string 12 phonemes arrangement, so in order to adapt to the butterfly zither repertoire, must carry on the certain supplement and the adjustment to the original 21 string traditional Zheng pointing method. In this paper, the traditional guzheng and butterfly Zheng are summarized and combed. This thesis consists of three parts: introduction, text and conclusion. The text consists of four chapters: the first chapter is the introduction of the butterfly Zheng, the second chapter is the classification of the traditional guzheng playing finger, the third chapter is the combing of the butterfly Zheng playing finger, the fourth chapter looks forward to the development of the butterfly Zheng.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.32

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