交响组曲《长江画页》乐队写作手法探析

发布时间：2018-07-18 16:35

【摘要】：交响组曲《长江画页》是钟信明教授创作完成于1963年的作品。作为钟信明早期的优秀作品之一,也是中国作曲家对交响组曲这种体裁形式进行写作的首创阶段,在创作条件极其有限的情况下,作曲家积极吸收所能接触到的创作技法,全力探索并付诸实践。笔者以交响组曲《长江画页》为研究对象,着重对作品的织体结构和音色形态进行分析。试图探索和描述出钟信明教授在以交响组曲这一体裁形式来表现以中国景物为写作内容的过程中所运用的具体乐队手法。本论文由绪论、正文和结语组成。绪论部分主要关于本论文的选题缘由、选题的意义和目的、此作品的研究现状以及本文的研究方法。正文共有三章:第一章为“作曲家与作品《长江画页》”,通过对作曲家人物和创作情况的简单介绍,梳理出《长江画页》的创作背景和主要内容表达,并且通过对曲式结构布局的界定,揭示出作曲家在创作过程中,立足于内容表达,采取与之相应的个性与范型原则相结合的结构形式;第二章主要是针对作品乐队织体组合与管弦乐法结构布局的研究,通过对交响组曲《长江画页》的基本乐队编制、乐队织体安排以及作品中具有典型性和代表性段落的管弦乐法布局进行探索研究,归纳出“作品主要的乐队组织手法”;第三章为“作品的音色呈现与展开方式”,以作品中所呈现的音色特征为研究点,总结出音乐的旋律层次在陈述和展开过程中结合内容表达在不同陈述阶段所运用的不同音色形态,分析出音乐主题在横向转换时所使用的或平衡或对比的音色组织与展开方式,并对作品中所使用的富有特色的中国打击乐与色彩乐器组音色元素进行了相关描述。
[Abstract]:Symphonic Suite "Yangtze River painting Page" is a work by Professor Zhong Xinming in 1963. As one of the outstanding early works of Zhong Xinming, it is also the first stage for Chinese composers to write symphonic suite as a genre. Under extremely limited conditions of creation, the composer actively absorbs the creative techniques he can come into contact with. Fully explore and put into practice. The author focuses on the texture structure and timbre form of symphonic Suite (the Yangtze River painting Page). This paper attempts to explore and describe the band techniques used by Professor Zhong Xinming in the process of using symphonic suite as a genre to express the writing content of Chinese scenery. This thesis is composed of introduction, text and conclusion. The introduction part is mainly about the reason of this thesis, the significance and purpose of the topic, the research status of this work and the research methods of this paper. There are three chapters in the text: the first chapter is "the composer and the works < the Yangtze River painting Page", through the simple introduction to the composer's characters and creation situation, combs out the creation background and the main content expression of "the Yangtze River painting Page". And through the definition of the structure layout of the form, it is revealed that the composer in the process of creation, based on the content expression, adopt the corresponding personality and paradigm principles combined with the structural form; The second chapter is mainly aimed at the study of the composition of the orchestra and the structure of the orchestral method, through the basic band compilation of the symphony Suite "the Yangtze River painting Page". The arrangement of band texture and the arrangement of orchestral method with typical and representative paragraphs in the work are explored and studied, and the main methods of organizing the band in the work are concluded. Chapter three is "the way of presentation and expansion of the timbre of the work". Based on the characteristics of timbre presented in the works, this paper summarizes the different timbre patterns used in different stages of presentation by the melodic level of music in the process of presentation and development. This paper analyzes the organization and development of the timbre used in the horizontal conversion of musical themes, or balance or contrast, and describes the timbre elements of the Chinese percussion music and color musical instruments which are used in the works.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J614

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