探析钢琴组曲《彝山风情画》
发布时间：2018-07-18 21:21
【摘要】：钢琴源于西方,在流传到中国后,经过一段时间的兼容与推广,许多文人志士在学习了作曲技法后,通过对广为流传的民间音乐元素进行二度创作,创编成钢琴曲。云南因其独特的地理位置和多少数民族使其音乐更具特色,民族钢琴作品的艺术研究价值也尤为突出。《彝山风情画》是作曲家陈勇教授于1987年创作的,陈勇先生是云南省不可多得的民族音乐本土作曲家之一,他的创作往往是把云南的少数民族元素和西方的作曲技法紧密地交织在一起,将云南民族特色通过二度创作更加淋漓尽致地表现出来。作品《彝山风情画》是由《对歌》、《马车》、《火塘》、《篝火》、《跳脚》五首作品组成的钢琴组曲。《彝山风情画》是少有的以彝族风情为题材的优秀钢琴组曲,是作曲家在大量地收集禄劝当地彝族素材后谱写出表现禄劝彝族人民载歌载舞,丰富多彩生活的钢琴作品。本文由三个部分组成:导论,三大章节和结论。绪论简述了论文研究的目的、国内外研究现状分析与意义。第一章是对作曲家、作品及云南彝族的简要概述;第二章是对整首组曲的审美内涵进行研究;第三章是作品的演奏分析和云南民族音乐的现实意义。最后的结论,是通过对整篇论文进行民族音乐的价值和影响总结陈述。
[Abstract]:Piano originated from the West, after spreading to China, after a period of compatibility and promotion, many literati learned the composition techniques, through the popular folk music elements of the second creation, to create a piano music. Yunnan, because of its unique geographical location and many ethnic minorities, has made its music more distinctive, and the artistic research value of its national piano works is particularly prominent. "Yi Mountain amorous feelings painting" was created by composer Chen Yong in 1987. Mr. Chen Yong is one of the rare native composers of folk music in Yunnan Province. His creation often closely interweaves the elements of ethnic minorities in Yunnan with western composing techniques. Yunnan ethnic characteristics through the second creation more incisively and vividly demonstrated. Works "Yi Mountain amorous feelings painting" is a piano suite composed of five works: "Song of the Yi", "the carriage", "the fire pond", "bonfire" and "jumping feet". The "Yi Mountain style painting" is a rare excellent piano suite with Yi customs as its subject matter. It is the composer who collected a large amount of material from the local Yi nationality of Luquan and composed piano works which showed the people of Luquan to sing and dance and to live a colorful life. This paper consists of three parts: introduction, three chapters and conclusions. The introduction describes the purpose of the research, the analysis and significance of domestic and foreign research status. The first chapter is a brief overview of the composer, works and Yunnan Yi nationality; the second chapter is to study the aesthetic connotation of the whole suite; the third chapter is the performance analysis of the works and the practical significance of Yunnan folk music. The last conclusion is to summarize the value and influence of folk music.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
本文编号：2132806
[Abstract]:Piano originated from the West, after spreading to China, after a period of compatibility and promotion, many literati learned the composition techniques, through the popular folk music elements of the second creation, to create a piano music. Yunnan, because of its unique geographical location and many ethnic minorities, has made its music more distinctive, and the artistic research value of its national piano works is particularly prominent. "Yi Mountain amorous feelings painting" was created by composer Chen Yong in 1987. Mr. Chen Yong is one of the rare native composers of folk music in Yunnan Province. His creation often closely interweaves the elements of ethnic minorities in Yunnan with western composing techniques. Yunnan ethnic characteristics through the second creation more incisively and vividly demonstrated. Works "Yi Mountain amorous feelings painting" is a piano suite composed of five works: "Song of the Yi", "the carriage", "the fire pond", "bonfire" and "jumping feet". The "Yi Mountain style painting" is a rare excellent piano suite with Yi customs as its subject matter. It is the composer who collected a large amount of material from the local Yi nationality of Luquan and composed piano works which showed the people of Luquan to sing and dance and to live a colorful life. This paper consists of three parts: introduction, three chapters and conclusions. The introduction describes the purpose of the research, the analysis and significance of domestic and foreign research status. The first chapter is a brief overview of the composer, works and Yunnan Yi nationality; the second chapter is to study the aesthetic connotation of the whole suite; the third chapter is the performance analysis of the works and the practical significance of Yunnan folk music. The last conclusion is to summarize the value and influence of folk music.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
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