勃拉姆斯《f小调奏鸣曲》op.5第一乐章的演奏体会
发布时间:2018-07-24 15:07
【摘要】:勃拉姆斯是浪漫主义音乐潮流中极具特色的作曲家,他的音乐有着中庸平衡的风格,散发出极为独特的魅力。《f小调第三钢琴奏鸣曲》op.5是他的早期作品,创作于1854年,展示了勃拉姆斯热情奔放和徘徊忧伤两种情绪,并将这两种情绪完美的交织、转换。这首作品也是他仅有的三首钢琴奏鸣曲中创作手法最为成熟,最难演奏的一首。论文的正文,可分成以下几个部分:一、阐述环境这个重要因素对勃拉姆斯性格特征的影响。二、勃拉姆斯的性格特质在《f小调奏鸣曲》第一乐章中的体现。三、结合以上两点,最终回归到演奏方面的体会。
[Abstract]:Brahms is a very distinctive composer in the romantic music trend. His music has a balanced style of mean and exudes a unique charm. < F minor Piano Sonata No. 3. Op.5 is his early work, which was written in 1854. Brahms shows two kinds of emotions: fervor and wandering sadness, and the two emotions are interwoven and transformed perfectly. It is also the most mature and difficult of his only three piano sonatas. The text of the paper can be divided into the following parts: first, this important factor of environment on Brahms personality characteristics. Second, Brahms' character is reflected in the first movement of Sonata in F minor. Third, combined with the above two points, the final return to the performance of the experience.
【学位授予单位】:山西大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J624.1
本文编号:2141764
[Abstract]:Brahms is a very distinctive composer in the romantic music trend. His music has a balanced style of mean and exudes a unique charm. < F minor Piano Sonata No. 3. Op.5 is his early work, which was written in 1854. Brahms shows two kinds of emotions: fervor and wandering sadness, and the two emotions are interwoven and transformed perfectly. It is also the most mature and difficult of his only three piano sonatas. The text of the paper can be divided into the following parts: first, this important factor of environment on Brahms personality characteristics. Second, Brahms' character is reflected in the first movement of Sonata in F minor. Third, combined with the above two points, the final return to the performance of the experience.
【学位授予单位】:山西大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J624.1
【参考文献】
相关期刊论文 前5条
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2 张志敏;;论勃拉姆斯生平经历对其音乐创作心理的影响[J];文教资料;2012年06期
3 刘旭娜;;勃拉姆斯三首钢琴奏鸣曲和声研究[J];乐府新声(沈阳音乐学院学报);2011年02期
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5 维·阿·马伦采娃,吴庆桥;勃拉姆斯刍议[J];天津音乐学院学报;2007年03期
,本文编号:2141764
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