过去与未来的对话—谭盾微电影交响乐《女书》创作解析

发布时间：2018-07-27 15:50

【摘要】：女书是世界现存唯一一种女性文字,在湖南省江永一带的女性间流传使用,是一种独特的女性文化。仅限女性使用的性别特征、尚不明确的历史起源、逐渐消亡的发展现状,使女书显得古老而神秘,成为近几十年来各相关学科的重要研究课题。另外,由于女书采用“吟唱”这一独特的阅读方式,故其流传使用与音乐有着不可分割的关系,具有重要的音乐研究价值。《女书》是谭盾创作完成于2013的多媒体交响乐作品,通过深入湖南江永采风搜集,拍摄了十三部微电影,并将其与交响乐相结合,耗时五年创作而成,首次以声像方式展示了“女书”这一古老的神秘文化。作品通过互相关联的十三个乐章,描绘了中国女性的坚韧之美,将东方文化通过多媒体这一载体与西方音乐形式相融合,谱写了远古与当代的对话,充分体现了谭盾一向致力于将传统与现代、东方与西方相融合的艺术观念。另外,在这部作品中,作曲家主要突出了对女书文化人文内涵的表达,其在音响听觉层面及艺术情怀方面均有别于前期的作品,可看出作曲家创作观念与思维的某些转变。因而,笔者以《女书》作为研究论题,以期探究作曲家在视听相融的现代音乐形式与传统女书文化抽象人文内涵间的结合过程与方法。本论文研究内容主要分为以下四个部分:第一章为作曲家简介及作品综述,通过对作曲家及作品创作过程的梳理,初步了解《女书》的创作背景及内容表达;第二章重点从作品中的传统部分,即“女书”作为切入点,对女书文化、作品中女书的呈现形式、作品乐章间的逻辑安排及女书吟唱的音调特征做出解析;第三章对作为作品中“未来寓义”对应形式的交响乐队做具体形态分析,从乐队部分的音高材料组织、乐队特性音色的运用、乐队创作技法的简约性、作品中的偶然性因素四个论点入手,归纳出乐队部分的创作特征;第四章进一步阐释作品中代表过去的女书吟唱与象征着未来的管弦乐队及作为过去与未来衔接环节的竖琴三者间结合的层次关系,并对该作品的人文内涵做总结性的陈述。
[Abstract]:Women's books, the only female characters in the world, are used among women in the Jiangyong area of Hunan province. It is a unique female culture. It is only limited to women's sex characteristics. It is not clear about the origin of history, and the development of the female is gradually declining. It makes the female book appear old and mysterious, and has become an important study of various related disciplines in recent decades. In addition, as the female book uses this unique way of reading, it has an inseparable relationship with music and has an important value in the study of music. < women's book > is a multimedia Symphony written in 2013 by Tan Dun. Through deep collection of Hunan Jiang Yong collection, thirteen microfilms have been filmed and will be taken. Combined with the symphony, it took five years to create the music. It was the first time to show the ancient mystical culture of the "female book" in a sound image. The works depicted the tenacious beauty of the Chinese women through the thirteen movements associated with each other, and incorporated the oriental culture through the multimedia and the western music form, and wrote the ancient and contemporary. The dialogue fully embodies the artistic conception that Tan Dun has always devoted to the integration of tradition and modernity, the East and the West. In this work, the composer mainly highlights the expression of the cultural connotation of the female book culture, which is different from the earlier works in the acoustics and artistic feelings. It can be seen that the composer's creative ideas and thoughts can be seen. In order to explore the combination process and method of the composer's combination of modern musical form and the abstract cultural connotation of traditional women's culture, the author of this thesis is divided into four parts: the first chapter is the composer's brief introduction and a summary of the works, and the composer. The second chapter focuses on the traditional part of the works, that is, the "female book" as the breakthrough point, and analyzes the female book culture, the presentation form of the female books in the works, the logical arrangement between the works and the tone characteristics of the female books, and the third chapter as a work. The Symphony Orchestra of the corresponding form of "future meaning" in the product is analyzed in detail. From the organization of the pitch material of the band, the use of the tone color of the band, the simplicity of the band creation technique and the incidental factors in the work, the author sums up the creative characteristics of the band part; the fourth chapter explains the representation of the past in the past. The female book is singing and symbolizing the relationship between the orchestra of the future and the combination of the three harp as the link between the past and the future, and makes a summary of the humanistic connotation of the work.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614

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