潘德列茨基《第七交响曲》中合唱部分的织体研究
发布时间：2018-08-03 17:55
【摘要】：著名作曲家、指挥家克利斯朵夫·潘德列茨基是当代最具影响力和创造性的音乐家之一，他所引领的“音色—音响”观念，对20世纪中期的西方先锋派音乐产生了革命性的影响。但随着现代人审美的改变，潘德列茨基从20世纪80年代开始，一改之前的先锋派风格，而转为创作贴近现代人审美的新浪漫风格。他所创作的第七交响曲就是一部其新浪漫风格非常成熟的代表作。 本文以主调性与复调性这个分类方法来对《第七交响曲》中合唱织体形态进行分类、分析、总结与探索。文中不仅涉及传统风格的织体写法，也涉及到了“点描”、“微复调”、“多声向交互式音响”等现代作曲思维在这部合唱中的运用，，旨在将潘德列茨基新浪漫风格的作曲技法在合唱中的运用进行窥探与学习。
[Abstract]:The famous composer and conductor Christophe Pendriecki is one of the most influential and creative musicians of our time. He led the idea of "timbre and sound". It had a revolutionary influence on western avant-garde music in the middle of the 20 th century. However, with the change of modern aesthetics, Pandlecki changed the avant-garde style from the 1980s to create a new romantic style close to modern aesthetics. His seventh symphony is a very mature masterpiece of his new romantic style. This paper classifies, analyzes, summarizes and explores the morphology of choral texture in Symphony No. 7 by means of the classification method of principal and polyphonic. This article not only involves the traditional style of texture writing, but also involves the use of modern composition thinking such as "dot drawing", "micro-polyphony", "multi-tone interactive sound" in this chorus. The purpose of this paper is to pry and learn the application of Pandlecki's new romantic style composition techniques in chorus.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J614
本文编号：2162516
[Abstract]:The famous composer and conductor Christophe Pendriecki is one of the most influential and creative musicians of our time. He led the idea of "timbre and sound". It had a revolutionary influence on western avant-garde music in the middle of the 20 th century. However, with the change of modern aesthetics, Pandlecki changed the avant-garde style from the 1980s to create a new romantic style close to modern aesthetics. His seventh symphony is a very mature masterpiece of his new romantic style. This paper classifies, analyzes, summarizes and explores the morphology of choral texture in Symphony No. 7 by means of the classification method of principal and polyphonic. This article not only involves the traditional style of texture writing, but also involves the use of modern composition thinking such as "dot drawing", "micro-polyphony", "multi-tone interactive sound" in this chorus. The purpose of this paper is to pry and learn the application of Pandlecki's new romantic style composition techniques in chorus.
【学位授予单位】：天津音乐学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J614
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