混合室内乐创作审美中的“跨界”思维解读——以陈怡三重奏《宁》的作品分析
发布时间：2018-08-04 15:12
【摘要】：混合室内乐作品的创作中结合了丰富的艺术元素,在创作立意和具体的编配手法上均显现出独特的"跨界"思维。本文的研究以陈怡在2001年创作的三重奏作品《宁》为例,通过几个不同侧面来分析和思考如何在混合室内乐领域完成创新性的"跨界"尝试。行文中论述了作曲家在作品配器方面标新立异的中西"跨界";在主题素材搭配方面对于中国五声调式和日本六声调式的"跨界"混搭;在复调技法运用方面穿梭于传统与现代领域的新老"跨界";以及在曲式结构方面向戏剧体例的"跨界"借鉴。在作品分析过程中深刻感知到作曲家的艺术修养与审美情趣,也具象性的体会到"跨界"手法在当代音乐创作中的巨大能量和魅力。
[Abstract]:The creation of mixed chamber music works combines rich artistic elements and presents a unique "cross-border" thinking in terms of creative ideas and specific arrangement techniques. This paper takes the trio by Chen Yi in 2001 as an example to analyze and think about how to complete the innovative "cross-border" attempt in the field of mixed chamber music through several different aspects. In this paper, the author discusses the composers' innovative "cross boundary" in the orchestration of works, the combination of Chinese and western "cross" in the subject material collocation, and the "cross" mixing of Chinese five tones and Japanese six tones. The application of polyphonic techniques to the traditional and modern fields of the new and old "cross-border", as well as in the form of the structure of the drama style of "cross-border" reference. In the process of work analysis, the composer's artistic accomplishment and aesthetic interest are deeply perceived, and the great energy and charm of "cross-border" technique in contemporary music creation are also realized concretely.
【作者单位】： 黄河科技学院音乐学院;
【分类号】：J601
[Abstract]:The creation of mixed chamber music works combines rich artistic elements and presents a unique "cross-border" thinking in terms of creative ideas and specific arrangement techniques. This paper takes the trio by Chen Yi in 2001 as an example to analyze and think about how to complete the innovative "cross-border" attempt in the field of mixed chamber music through several different aspects. In this paper, the author discusses the composers' innovative "cross boundary" in the orchestration of works, the combination of Chinese and western "cross" in the subject material collocation, and the "cross" mixing of Chinese five tones and Japanese six tones. The application of polyphonic techniques to the traditional and modern fields of the new and old "cross-border", as well as in the form of the structure of the drama style of "cross-border" reference. In the process of work analysis, the composer's artistic accomplishment and aesthetic interest are deeply perceived, and the great energy and charm of "cross-border" technique in contemporary music creation are also realized concretely.
【作者单位】： 黄河科技学院音乐学院;
【分类号】：J601
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