莫扎特《A大调单簧管协奏曲》演奏风格的比较研究

发布时间：2018-08-07 11:48

【摘要】：本论文将收集的十七位演奏家演奏的莫扎特《A大调单簧管协奏曲》为研究对象,以于润洋先生的《西方音乐史论新稿》中音乐本体论、音乐表演美学、音乐社会实践为理论依据,对连断奏、音色、力度等演奏技术进行了具体的分析。论文的第三章从萨宾·梅耶、保罗·梅耶、理查德·斯托兹曼各具特色的演奏实例进行了深入的分析。三位演奏家所处的社会环境、历史文化、人文特色不同,从而影响了三位演奏家二度创作。另外三位演奏家经过长期演出经验的沉淀,形成了独特的演奏风格,对乐句的细致处理,华彩段落演绎各具特色,从而形成各具演奏特色演奏样本。笔者以三个不同国家的演奏家为例,以音乐的本体论、音乐表演美学、音乐社会实践为依托,以具体的谱例分析不同演奏技术的运用,力求得出不同演奏形式演奏风格的原因。通过研究《A大调单簧管协奏曲》,以分解和综合的分析方式来阐述本论文内容,其中包括作曲家历史环境、文化特点、生活情况、专辑录音等,从收集的资料来具体分析不同演奏家对同一首作品不同的演出风格,从乐谱及演奏风格两方面入手,以演奏技术为主要分析对象,要从音乐美学、音乐史学以及音乐表演学等方面进行分析,对作品进行深入的挖掘和理解,从而更准确更美地演奏西方音乐。
[Abstract]:This thesis will collect the works of Mozart "Clarinet Concerto in A Major" by seventeen players, and take the music ontology and musical performance aesthetics of Mr. Yu Runyang's New draft of Western Music History as the research object. Based on the theory of music social practice, this paper analyzes the playing techniques such as ensemble, timbre, intensity and so on. The third chapter makes a deep analysis of Sabine Meyer, Paul Mayer and Richard Stozman. The social environment, historical culture and humanistic characteristics of the three performers affected their second creation. The other three performers have formed a unique performance style through the precipitation of long-term performance experience, the careful treatment of the phrase, the interpretation of colorful paragraphs have their own characteristics, thus forming each performance characteristic performance sample. The author takes the performers from three different countries as an example, relies on the ontology of music, the aesthetics of music performance, and the social practice of music, analyzes the application of different playing techniques with specific musical examples, and tries to find out the reasons for different playing styles. By studying the clarinet Concerto in A major, the contents of this paper are expounded in the way of decomposition and comprehensive analysis, including the composer's historical environment, cultural characteristics, living conditions, album recording, etc. From the data collected to analyze the different performance styles of different performers to the same piece of music, starting from the music score and performance style, taking the performance technology as the main analysis object, we should start with the music aesthetics. By analyzing the history of music and the theory of musical performance, the author excavates and understands the works so as to play western music more accurately and beautifully.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J621.4

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