唐代教坊女乐研究
发布时间：2018-08-08 18:28
【摘要】：女乐是中国古代专业的歌舞艺人,始自夏初,队伍庞大,秦汉时宫廷中已有数万人之众,她们是古代乐妓的主要成员,在中国古代音乐发展史上作用重大。唐代女乐技艺达到高峰,她们所做出的贡献,是中国音乐史上不可或缺的重要文化组成部分。唐代诸多宫廷音乐机构中,教坊尤为重要,它管理、教习俗乐乐人并贯穿着整个唐代。教坊女乐为教坊的主要构成人员,具有代表性,她们身份卑贱,自幼习乐,既是音乐表演的载体,又是音乐的传播者,创造的多种新的艺术形式,为后世所传承。由此,唐代音乐作品、教坊、女乐三者形成了一种相互影响又相互促进的关系。了解唐代教坊女乐的历史发展脉络,不仅对梳理唐代音乐史起着至关重要的作用,而且对研究整个中国古代音乐史而言也是重要的环节之一。本文共分为三章对唐代教坊女乐进行研究。第一章主要概述了教坊的设置、发展及其制度管理,通过对女乐的释义,了解女乐在唐代的组织、传播及影响。第二章阐述唐代教坊女乐的音乐生活,从构成、管理、音乐教育及演出四个方面入手,力图整体、全面的探究唐代教坊女乐制度的发展和演变。第三章从人类学、社会学的角度出发,对女乐的身份地位、情感命运和社会作用作深度剖析,探索女乐在唐代的音乐贡献及文化价值。
[Abstract]:Female music is a professional singer and dancer in ancient China. Since the beginning of summer, there have been tens of thousands of people in the court of Qin and Han dynasties. They are the main members of the ancient music prostitutes and play an important role in the history of the development of ancient Chinese music. The female music art reached its peak in the Tang Dynasty, and their contribution was an indispensable cultural component in the history of Chinese music. Among many court music organizations in the Tang Dynasty, the teaching workshop is especially important, it manages, teaches custom music person and runs through the whole Tang Dynasty. The female music of the teaching workshop is the main component of the teaching workshop, which is representative. Their status is mean, and they are the carrier of music performance and the disseminator of music. The creation of many new artistic forms has been passed down by later generations. Therefore, the Tang Dynasty music works, teaching workshops, women's music formed a mutual influence and mutual promotion. Understanding the historical development of the female music in the Tang Dynasty is not only very important to the music history of the Tang Dynasty, but also one of the important links to the study of the music history of the whole ancient China. This paper is divided into three chapters to study the female music in the Tang Dynasty. The first chapter mainly summarizes the establishment, development and system management of the teaching workshop, through the interpretation of the female music, understand the organization, dissemination and influence of the female music in the Tang Dynasty. The second chapter expounds the music life of the female music in the Tang Dynasty, starting with the four aspects of composition, management, music education and performance, trying to explore the development and evolution of the female music system of the teaching workshop in the Tang Dynasty in an all-round way. The third chapter, from the angle of anthropology and sociology, makes a deep analysis of the status, emotional fate and social function of the female music, and explores the contribution and cultural value of the female music in the Tang Dynasty.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J609.2
本文编号：2172646
[Abstract]:Female music is a professional singer and dancer in ancient China. Since the beginning of summer, there have been tens of thousands of people in the court of Qin and Han dynasties. They are the main members of the ancient music prostitutes and play an important role in the history of the development of ancient Chinese music. The female music art reached its peak in the Tang Dynasty, and their contribution was an indispensable cultural component in the history of Chinese music. Among many court music organizations in the Tang Dynasty, the teaching workshop is especially important, it manages, teaches custom music person and runs through the whole Tang Dynasty. The female music of the teaching workshop is the main component of the teaching workshop, which is representative. Their status is mean, and they are the carrier of music performance and the disseminator of music. The creation of many new artistic forms has been passed down by later generations. Therefore, the Tang Dynasty music works, teaching workshops, women's music formed a mutual influence and mutual promotion. Understanding the historical development of the female music in the Tang Dynasty is not only very important to the music history of the Tang Dynasty, but also one of the important links to the study of the music history of the whole ancient China. This paper is divided into three chapters to study the female music in the Tang Dynasty. The first chapter mainly summarizes the establishment, development and system management of the teaching workshop, through the interpretation of the female music, understand the organization, dissemination and influence of the female music in the Tang Dynasty. The second chapter expounds the music life of the female music in the Tang Dynasty, starting with the four aspects of composition, management, music education and performance, trying to explore the development and evolution of the female music system of the teaching workshop in the Tang Dynasty in an all-round way. The third chapter, from the angle of anthropology and sociology, makes a deep analysis of the status, emotional fate and social function of the female music, and explores the contribution and cultural value of the female music in the Tang Dynasty.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J609.2
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