论音乐诠释学的起因、诉求与历程
发布时间：2018-08-13 10:26
【摘要】：音乐诠释学发展至今已有近两百年的历史,它是西方音乐研究发展到一定阶段的自然需求,也是对实证主义研究的有效补充。尽管已经出现不少有关音乐诠释学方面的研究成果,但从学理角度对它的学科性审思依然不足。本文拟从起因、诉求和历程三个维度切入,呈现音乐诠释学之所以产生的原因、不同于实证主义事实研究的意义探求及其由自发到自觉的历史进程。最后对音乐诠释学进行批判性反思,吸取其之于西方音乐研究的合理成分。
[Abstract]:Music hermeneutics has a history of nearly two hundred years. It is the natural demand of western music research to a certain stage, and it is also an effective supplement to positivism research. Although there have been many achievements in the field of music hermeneutics, its disciplinary thinking is still insufficient from a theoretical point of view. This paper attempts to analyze the causes, appeals and processes of music hermeneutics, which is different from the significance of positivist fact study and its historical process from spontaneous to conscious. Finally, the critical reflection on music hermeneutics is carried out, and the reasonable elements in western music research are drawn.
【作者单位】： 南京师范大学音乐学院;
【分类号】：J609.1
，
本文编号：2180696
[Abstract]:Music hermeneutics has a history of nearly two hundred years. It is the natural demand of western music research to a certain stage, and it is also an effective supplement to positivism research. Although there have been many achievements in the field of music hermeneutics, its disciplinary thinking is still insufficient from a theoretical point of view. This paper attempts to analyze the causes, appeals and processes of music hermeneutics, which is different from the significance of positivist fact study and its historical process from spontaneous to conscious. Finally, the critical reflection on music hermeneutics is carried out, and the reasonable elements in western music research are drawn.
【作者单位】： 南京师范大学音乐学院;
【分类号】：J609.1
，
本文编号：2180696
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