武百祥《国韵诗篇百首》研究

发布时间：2018-08-15 18:22

【摘要】：基督教作为一个歌唱性的宗教,唱诗赞美是基督徒信仰生活中必不可少的一部分,自20世纪初开始,基督教圣诗音乐的本色化问题一直是教会关注的焦点,近年来随着信徒人数的不断增加,关于圣诗音乐本色化的研究已成为音乐学术界的一大热点。武百祥作为上世纪三四十年代杰出的民族工商业家,一生充满了传奇色彩,一直以来学术界对他的关注都只是集中在他的商业贡献上,而对于他音乐方面的研究目前还处于空白阶段。本文以武百祥所作的新教赞美诗集《国韵诗篇百首》为主要研究对象兼及音乐活动,旨在更清晰的展现武百祥为我国圣诗音乐的发展所作出的贡献,全文共分为四个章节,第一章简要概述了本课题研究的缘由、研究的现状以及存在的问题和发展趋势。第二章介绍了作者的生平以及他的音乐活动,指出武百祥开展的一系列宗教音乐活动,为推动当时哈尔滨基督教自立运动的发展作出了重大的贡献。第三章分别从三个不同的方面论述了赞美诗集《国韵诗篇百首》的成书背景,简单梳理了在不同的历史时期产生的具有中国特色的赞美诗集。第四章是本文的重要部分,笔者主要从曲调的来源、音乐本体的分析、词曲结合的艺术性三个不同方面对“国韵”里的赞美诗歌进行了阐释和解读。最后得出结论武百祥的《国韵诗篇百首》这部赞美诗集在近代基督教音乐发展史上具有很高的音乐地位。笔者认为,在中国基督教圣诗音乐本色化的研究中,武百祥的《国韵诗篇百首》一直没有受到基督教音乐研究者的关注,武百祥在哈尔滨基督教自立运动中所开展的一系列宗教(基督教)音乐活动也一直没有引起人们的注意,关于“馥音”诗本是否与《国韵诗篇百首》同属一个版本的思考也一直未有人提出疑问,这些问题都是本文意欲研究的重点。
[Abstract]:Christianity as a singing religion, singing praise is an essential part of Christian faith life, since the beginning of the 20th century, the issue of the music of Christian holy poetry has been the focus of attention of the church. In recent years, with the increasing of the number of believers, the study of the music essence of the hymn has become a hot spot in the music academic circles. As an outstanding national industrialist in the 1930s and 40s of the last century, Wu Baoxiang has been full of legends throughout his life. All along, academic attention to him has only focused on his business contributions. At present, the study of his music is still in the blank stage. Taking Wu Baixiang's praises of Protestantism as the main research object and music activities, this paper aims to show Wu Baixiang's contribution to the development of the music of our country's holy poems, which is divided into four chapters. The first chapter briefly summarizes the reason, the present situation, the existing problems and the development trend of this subject. The second chapter introduces the author's life and his music activities and points out that a series of religious music activities carried out by Wu Baixiang made great contributions to the development of the Christian self-supporting movement in Harbin at that time. In the third chapter, the author discusses the background of the praising poems from three different aspects, and briefly combs the collection of praise poems with Chinese characteristics in different historical periods. The fourth chapter is an important part of this paper, the author mainly from the origin of melody, the analysis of music Noumenon, the combination of poetry and music in three different aspects of praise in the interpretation and interpretation of poetry. Finally, the conclusion is drawn that Wu Baixiang's Poems of National rhyme has a very high musical status in the history of modern Christian music. The author believes that in the study of the essence of music in Chinese Christian holy poems, Wu Baixiang's Poems of National rhymes has not been paid attention to by Christian music researchers. A series of religious (Christian) music activities carried out by Wu Baixiang in the Christian Self-reliance Movement in Harbin have not attracted people's attention. There have been no questions about whether this poem belongs to the same edition as the poem of National rhyme, which is the focus of this paper.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J608

【参考文献】