浅谈古筝快速指序技法在乐曲中的应用与发展

发布时间：2018-08-17 10:42

【摘要】：古筝是我国古老的弹拨乐器,至今已有2500多年的历史。在其漫长的发展过程中,产生了众多的流派和影响甚远的曲目,可是古筝演奏技法的发展却非常缓慢。上个世纪70年代,出现了一种新型的古筝演奏形式,这就是由河南的赵曼琴创立的“快速指序技法体系”。这个体系的出现,使古筝在由色彩乐器向旋律乐器发展的路程上迈出了关键性的一步。本文对古筝演奏方式中的传统技法和快速指序技法进行了详细对比,通过乐曲中快速指序技法的谱例分析来讲述快速指序技法在乐曲中的应用。王中山先生是古筝快速指序技法发展过程中的重要代表人物之一,他运用快速指序技法改编、创作了大量的乐曲,对推动快速指序技法的发展做出了积极的贡献。快速指序技法事实上已经构成了一个独立的新的技法体系,它使古筝具有了色彩乐器和旋律乐器的双重特性,从而为古筝的进一步发展打下了坚实的基础,使古筝有了更加广阔的发展前景。笔者翻阅大量文献资料后发现,对古筝快速指序的研究主要集中在指序体系本身或者在某一乐曲中某种技巧的运用,将二者结合起来研究的内容并不多。因而,本文针对快速指序技法在各种现代筝曲中的运用以及它的发展前景进行了一些深入研究。
[Abstract]:Guzheng is an ancient plucked instrument in China, which has a history of more than 2500 years. In its long process of development, there are many genres and far-reaching tracks, but the development of zither playing techniques is very slow. In the 1970s, a new form of zither performance emerged, which was founded by Zhao Manqin of Henan Province. With the emergence of this system, Guzheng took a crucial step in the development of musical instruments from color instruments to melodic instruments. This paper makes a detailed comparison between the traditional and fast finger sequence techniques in the playing of guzheng, and discusses the application of the fast finger sequence technique in the music through the analysis of the spectrum examples of the fast finger sequence technique in the music. Dr. Wang Yat-sen is one of the important representative figures in the development process of fast finger-order technique of zither. He adapted a large number of music by using rapid finger-ordering technique, and made a positive contribution to the development of rapid finger-ordering technique. As a matter of fact, the rapid finger-ordering technique has already formed an independent new technique system, which makes the zither have the dual characteristics of the color musical instrument and the melody instrument, thus laying a solid foundation for the further development of the guzheng. So that the zither has a broader development prospects. After reading a large number of documents, the author finds that the research on the fast finger sequence of the zither is mainly focused on the system of finger sequence itself or the application of some skill in a certain music, and the research content of combining the two is not much. Therefore, this paper makes some deep research on the application of fast finger sequence technique in all kinds of modern Zheng music and its development prospect.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.32

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