中国当代民谣音乐的美学研究
发布时间：2018-08-20 11:26
【摘要】：民谣是民间文学的一种形式,影射历史变迁、社会民生,以其自身特点在民间流传。中国当代民谣音乐沿用了"民谣"的概念,延续了"民谣"民间性、自由、朴素、对伴奏的依赖较少等特征,但也有新的发展特点,例如主题更加丰富、伴奏工具更加多样、演唱主体呈现阶层化特征、传播手段更加现代化等。中国当代民谣音乐,在内容上体现了直白的情感、个体化的叙述方式,通过求真来求美的美学特征,追求简单朴实、不炫技,"刻意"避免学院式编曲和演唱技巧,在演出形式上以木吉他为代表乐器,演唱场地简单、追求现场化效果、不求宏大、不求绚烂舞美。中国当代民谣音乐的代表主要有台湾民歌、校园民谣、城市民谣、"新民谣"音乐,四者在不同的时代和社会背景下有各自独特的审美特征,台湾民歌的田园乡土气息、校园民谣的浪漫青春风格、城市民谣的社会情怀、"新民谣"音乐对个体内心的重视,都给人审美的享受,有一定的美学研究价值。民谣音乐在当今社会上正在引起越来越多的关注和喜爱,但是也带着自身的问题和缺憾,例如,校园民谣的精英主义倾向、民谣音乐的日益商业化、民谣音乐歌词的消极虚无主义倾向和逃避思想、伪民谣现象。本文通过文献梳理、作品整理、概念分析、美学研究等方法,力求对以上问题给出分析。
[Abstract]:Folk rhyme is a form of folk literature, insinuating historical changes, social livelihood, with its own characteristics in the folk circulation. Chinese contemporary folk music has followed the concept of "folk ballad", continuing the characteristics of folklore, freedom, simplicity, and less reliance on accompaniment, but it also has new developmental characteristics, such as more rich themes and more diverse accompaniment tools. The singing main body presents the stratification characteristic, the dissemination means is more modernized and so on. Contemporary Chinese folk music, in its content, embodies straightforward feelings, individualized narration, the aesthetic characteristics of seeking beauty through seeking truth, pursuing simplicity and simplicity, not dazzling skills, and "deliberately" avoiding collateral-style choreography and singing skills. In the form of performance with wooden guitar as the representative musical instrument, the venue is simple, the pursuit of live effect, not grand, do not seek gorgeous dance. The representatives of contemporary Chinese folk music are mainly Taiwanese folk songs, campus ballads, urban ballads, "new folk songs" music. The four of them have their own unique aesthetic characteristics in different times and social backgrounds, and the idyllic flavor of Taiwan folk songs. The romantic youth style of campus ballads, the social feelings of urban ballads, and the emphasis of "New Folk songs" on the individual heart all give people aesthetic enjoyment and have certain aesthetic research value. Folk music is attracting more and more attention and love in today's society, but it also has its own problems and shortcomings. For example, the elitist tendency of campus ballads and the increasing commercialization of folk music. The negative nihilism tendency and evasive thought of folk music lyrics and the phenomenon of false folk songs. This paper tries to analyze the above problems by means of literature combing, work sorting, conceptual analysis, aesthetic research and so on.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J601
本文编号：2193410
[Abstract]:Folk rhyme is a form of folk literature, insinuating historical changes, social livelihood, with its own characteristics in the folk circulation. Chinese contemporary folk music has followed the concept of "folk ballad", continuing the characteristics of folklore, freedom, simplicity, and less reliance on accompaniment, but it also has new developmental characteristics, such as more rich themes and more diverse accompaniment tools. The singing main body presents the stratification characteristic, the dissemination means is more modernized and so on. Contemporary Chinese folk music, in its content, embodies straightforward feelings, individualized narration, the aesthetic characteristics of seeking beauty through seeking truth, pursuing simplicity and simplicity, not dazzling skills, and "deliberately" avoiding collateral-style choreography and singing skills. In the form of performance with wooden guitar as the representative musical instrument, the venue is simple, the pursuit of live effect, not grand, do not seek gorgeous dance. The representatives of contemporary Chinese folk music are mainly Taiwanese folk songs, campus ballads, urban ballads, "new folk songs" music. The four of them have their own unique aesthetic characteristics in different times and social backgrounds, and the idyllic flavor of Taiwan folk songs. The romantic youth style of campus ballads, the social feelings of urban ballads, and the emphasis of "New Folk songs" on the individual heart all give people aesthetic enjoyment and have certain aesthetic research value. Folk music is attracting more and more attention and love in today's society, but it also has its own problems and shortcomings. For example, the elitist tendency of campus ballads and the increasing commercialization of folk music. The negative nihilism tendency and evasive thought of folk music lyrics and the phenomenon of false folk songs. This paper tries to analyze the above problems by means of literature combing, work sorting, conceptual analysis, aesthetic research and so on.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J601
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