多元文化境域中的当代室内乐传承构建——以宾州米勒斯维尔“国际室内乐艺术节”为例
发布时间：2018-08-20 16:15
【摘要】：多元文化推动下的音乐艺术传承,常常面临诸多问题。"米勒斯维尔国际室内乐艺术节"是以艺术节为载体的当代室内乐传承形式。它通过多元、立体层次的参与者及场域的构建,形成了参与型音乐审美体验境域,并起到提升大众审美结构之作用;通过和而不同的内容布局,完成了不同的音乐文化从对抗走向对话,实现了艺术教育的跨文化理念;在服务社会大众的同时提升文化消费结构,逐步达到对和谐型音乐文化消费的倡导。
[Abstract]:Under the multi-cultural impetus music art inheritance, often faces many problems. Hans Muller Swell International Chamber Music Festival is a form of contemporary chamber music inheritance with art festival as its carrier. Through the construction of multiple, three-dimensional participants and the field, it forms the participating music aesthetic experience domain, and plays the role of enhancing the aesthetic structure of the masses. It completes the different music culture from confrontation to dialogue, realizes the cross-cultural concept of art education, promotes the cultural consumption structure while serving the social masses, and gradually achieves the advocacy of harmonious music culture consumption.
【作者单位】： 福州大学人文社会科学学院音乐学系;
【基金】：福建省教育厅2017年度中青年项目“JAS170057多元音乐审美文化传播的本土化构建——以福州大学校园音乐文化建设为例”阶段性成果之一
【分类号】：J627.0-2
，
本文编号：2194231
[Abstract]:Under the multi-cultural impetus music art inheritance, often faces many problems. Hans Muller Swell International Chamber Music Festival is a form of contemporary chamber music inheritance with art festival as its carrier. Through the construction of multiple, three-dimensional participants and the field, it forms the participating music aesthetic experience domain, and plays the role of enhancing the aesthetic structure of the masses. It completes the different music culture from confrontation to dialogue, realizes the cross-cultural concept of art education, promotes the cultural consumption structure while serving the social masses, and gradually achieves the advocacy of harmonious music culture consumption.
【作者单位】： 福州大学人文社会科学学院音乐学系;
【基金】：福建省教育厅2017年度中青年项目“JAS170057多元音乐审美文化传播的本土化构建——以福州大学校园音乐文化建设为例”阶段性成果之一
【分类号】：J627.0-2
，
本文编号：2194231
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