拉赫玛尼诺夫钢琴前奏曲的和声研究
发布时间：2018-08-25 08:21
【摘要】：拉赫玛尼诺夫是俄罗斯最伟大的指挥家、钢琴演奏家和作曲家之一,虽然生活在作曲技法发生重大变革的时代,但是他仍坚持传统音乐的创作,并在继承传统的基础上进行突破与创新,在其中后期的音乐创作中逐渐加入了许多现代元素,将浪漫风格与现代风格融为一体。拉赫玛尼诺夫的音乐创作十分丰富,其中钢琴作品占有着比较重要的地位。本论文通过对其二十四首钢琴前奏曲的分析与研究,试图从中探寻拉赫玛尼诺夫的和声技法,将每一首前奏曲中出现的种种和声现象以及作曲家在前奏曲创作中的音高组织特征进行整理与归纳。从结构上来看,本论文分为五章:第一章介绍了拉赫玛尼诺夫的生平与创作简介;第二章到第四章将分别从音高材料,和声材料相互关系以及调性陈述与布局等方面对二十四首作品中的具体和声现象与音高组织作出整理与探讨;第五章将对二十四首作品的和声体系作一个总结,从创作技术层面的分析研究上升到创作观念的探索。总体来说,二十四首钢琴前奏曲的创作是处于拉赫玛尼诺夫创作时期的中后期,尽管传统的大、小调功能体系和声为其和声技法的核心,但是其中不乏大量的带有作曲家个性化特征的色彩性和声处理方法,如同中音调调式交替手法。在前奏曲的后期作品中,拉赫玛尼诺夫逐步增加了有限的近现代和声技法,如非三度结构和弦以及独立的二、三度和声进行等,并将其与传统手法相结合,形成了具有拉氏特征的和声风格。
[Abstract]:Rachmaninov is one of Russia's greatest conductors, pianists and composers. Although he lives in an era of great changes in composition techniques, he still insists on the creation of traditional music. And on the basis of inheriting the tradition to break through and innovate, in the later music creation gradually added many modern elements, will be romantic style and modern style as a whole. Rachmaninov's music creation is very rich, among which piano works play a more important role. Through the analysis and research of its 24 piano prelude, this paper tries to explore Rachmaninov's harmonic techniques. The harmonic phenomena in each prelude and the characteristics of the composer's pitch organization in the prelude creation are summarized. In terms of structure, the thesis is divided into five chapters: the first chapter introduces the life and creation of Rachmaninov, the second to the fourth chapters, In the aspects of the relationship between harmonic materials and tonality statement and layout, the concrete harmonic phenomena and pitch organization in 24 works are arranged and discussed. Chapter five summarizes the harmony system of 24 works. From the level of creative technology analysis and research to the exploration of creative ideas. Generally speaking, the creation of 24 piano prelude is in the middle and late stage of Rachmaninov's creation period, although the traditional large, minor functional system of harmony is the core of his harmony technique. However, there are a large number of color harmonies with the characteristic of composers, such as medium tone modulation. In the later works of the prelude, Rachmaninov gradually added a limited number of modern harmonic techniques, such as non-three-degree structural chords and independent two- and third-degree harmonies, and combined them with traditional techniques. A harmony style with Laplace characteristics was formed.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
本文编号：2202311
[Abstract]:Rachmaninov is one of Russia's greatest conductors, pianists and composers. Although he lives in an era of great changes in composition techniques, he still insists on the creation of traditional music. And on the basis of inheriting the tradition to break through and innovate, in the later music creation gradually added many modern elements, will be romantic style and modern style as a whole. Rachmaninov's music creation is very rich, among which piano works play a more important role. Through the analysis and research of its 24 piano prelude, this paper tries to explore Rachmaninov's harmonic techniques. The harmonic phenomena in each prelude and the characteristics of the composer's pitch organization in the prelude creation are summarized. In terms of structure, the thesis is divided into five chapters: the first chapter introduces the life and creation of Rachmaninov, the second to the fourth chapters, In the aspects of the relationship between harmonic materials and tonality statement and layout, the concrete harmonic phenomena and pitch organization in 24 works are arranged and discussed. Chapter five summarizes the harmony system of 24 works. From the level of creative technology analysis and research to the exploration of creative ideas. Generally speaking, the creation of 24 piano prelude is in the middle and late stage of Rachmaninov's creation period, although the traditional large, minor functional system of harmony is the core of his harmony technique. However, there are a large number of color harmonies with the characteristic of composers, such as medium tone modulation. In the later works of the prelude, Rachmaninov gradually added a limited number of modern harmonic techniques, such as non-three-degree structural chords and independent two- and third-degree harmonies, and combined them with traditional techniques. A harmony style with Laplace characteristics was formed.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
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