乌鲁木齐少数民族摇滚乐队的调查与研究

发布时间：2018-08-25 17:03

【摘要】：从20世纪80年代中国摇滚乐萌芽开始,中国大陆摇滚乐经历了30多年的发展历程,在这过程中,内地很多地方都涌现“摇滚热”,其中乌鲁木齐大致从20世纪90年代开始发展摇滚音乐,并且将少数民族的元素融入其中,形成了极具地方特色的少数民族摇滚乐。本文以“乌鲁木齐少数民族摇滚乐队的调查与研究”为题,对新疆乌鲁木齐地区的摇滚乐进行调查和深入研究,以此来梳理新疆乌鲁木齐地区的少数民族摇滚乐的形成和发展过程,从而更加了解乌鲁木齐少数民族摇滚乐的主要风格特点。从乌鲁木齐少数民族摇滚乐队的整体发展过程来看,其伴随着中国大陆摇滚乐的发展而不断获得推进。乌鲁木齐少数民族摇滚乐队最初和国内其他摇滚音乐一样,都是从模仿一些经典的、有代表性的国内外摇滚音乐开始,后来逐步尝试将当地少数民族元素和摇滚音乐更好地融合,努力创造具有少数民族风格的摇滚音乐,他们将具有人文情怀、文化特色和历史韵味的一切事物都融进摇滚音乐之中,从而使其创作的音乐更加体现出乌鲁木齐少数民族地域特色和文化内涵。无论是傀儡乐队、石人乐队这样具有代表性的少数民族乐队,还是其他曾经出现过的或刚刚成立的摇滚乐队,但凡去感受他们创作的音乐,从歌词到谱曲,都能从中感受到乌鲁木齐地区的自然人文环境及其独有的民族文化。乌鲁木齐少数民族的摇滚乐和大多数少数民族文化一样,因为文化受众的局限性而没有获得更多关注。此外,摇滚乐在世人眼中的叛逆形象始终根深蒂固,这也决定了少数民族摇滚的受众注定只能是小众群体,所以他们能产生的影响力也就非常有限。不论如何,摇滚音乐作为一种精神的存在,会一直不灭,而乌鲁木齐少数民族摇滚乐作为其中一种独特的地方文化力量,也会具有它独有的价值和地位,少数民族摇滚音乐要得到发展和弘扬,还需要多方力量的共同推进,这是一个值得关注和思考的重要问题。
[Abstract]:Since the germination of Chinese rock music in the 1980s, rock music in mainland China has experienced more than 30 years of development. In the process, "rock craze" has emerged in many parts of the mainland. Urumqi began to develop rock music from the 1990s, and incorporated the elements of ethnic minorities into it, forming a very local characteristics of minority rock music. With the title of "investigation and study of Urumqi Minority Rock Band", this paper makes an investigation and in-depth study on rock music in Urumqi, Xinjiang. In order to sort out the formation and development of minority rock music in Urumqi, Xinjiang, and understand the main style characteristics of the minority rock music in Urumqi. From the whole development process of Urumqi minority rock band, it has been promoted along with the development of rock music in mainland China. At first, the Urumqi minority rock bands, like other domestic rock music, began by imitating some classic, representative domestic and foreign rock and roll music. And then gradually try to integrate the elements of the local minority and rock music better, and try to create rock music with minority style. They will have a humanistic feeling. All things with cultural characteristics and historical appeal are integrated into rock music, thus making the music created by it more reflect the regional characteristics and cultural connotation of Urumqi ethnic minorities. Whether it's a puppet band, a representative minority band like the Stone Man, or any other rock band that has ever appeared or just formed, anyone who feels their music, from the lyrics to the music, We can feel the natural and humanistic environment and its unique national culture in Urumqi. The Urumqi minority rock music, like most minority cultures, has not received more attention because of the limitations of the cultural audience. In addition, rock music has always been entrenched in the eyes of the world's rebellious image, which also determines that the minority rock audience is destined to be a minority group, so their influence can be very limited. In any case, rock music, as a spiritual existence, will never die out, and the Urumqi minority rock music, as one of the unique local cultural forces, will also have its unique value and status. In order to develop and carry forward the rock music of minority nationalities, it is necessary to push forward by various forces, which is an important issue worthy of attention and consideration.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J605

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