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阿鲁秋年《降A大调小号协奏曲》演奏分析

发布时间:2018-08-29 16:11
【摘要】:小号是一种铜管乐器,源于西方,有着悠久的历史。在音乐演奏艺术史之中,其凭借着丰富的音色及音乐表现力占有一席之位。此外,小号这一独奏乐器在全球不同的国家与地区舞台中都非常活跃。全球三大协奏曲分别为海顿、胡梅尔小号协奏曲以及亚历山大·阿鲁秋年《降A大调小号协奏曲》,直到现在依旧是小号学习者、演奏家的必备曲目。在一生中,亚历山大·阿鲁秋年完成了《降A大调小号协奏曲》、《为小号与交响乐队而作的音乐会协奏曲》、《为小号与交响乐队而作的音乐会谐谑曲》三部代表性曲目,分别创作于1950年、1954年、1973年。其中《降A大调小号协奏曲》特色尤为鲜明,其显现出的亚美尼亚民族特色非常浓郁,而协奏曲则对单乐章大胆加以运用,乐曲中段则通过弱音器对小号的音色作出更改,从创作至今,此曲已经在全球乐坛风靡几十年。这首协奏曲旋律优美,激荡起伏,向后人展示了阿鲁秋年高超的作曲技法和对小号乐器的充分了解,对这首协奏曲的研究不仅可以帮助笔者更深入的了解作曲家的创作背景与风格,同时也可以帮助更多的演奏者在技术上更精确的诠释作品。
[Abstract]:Trumpet is a brass instrument, originated from the West, has a long history. In the history of musical performance, it occupies a place with rich timbre and musical expression. In addition, the trumpet as a solo instrument is very active in different countries and regions around the world. The world's three major concertos are Haydn, Hummel trumpet Concerto and Alexander Aruen's Concerto on the trumpet in A Major, which is still a must-have track for trumpet learners and performers. In his lifetime, Alexander Aruen completed the Concerto on the trumpet in A major, and the Concerto for the trumpet and Symphony. Created in 1950, 1954, 1973. Among them, Concerto for the trumpet in A major is particularly distinctive. It shows very strong Armenian national characteristics, while the concerto boldly applies the single movement. In the middle of the music, the timbre of the trumpet is changed through the muffler. Since its creation, this song has been popular in the world of music for decades. This concerto has beautiful melodies and stirring ups and downs, showing Aruba's superb composition techniques and full knowledge of trumpet instruments to the later generations. The research on this concerto can not only help the writer to understand the composer's background and style more deeply, but also help more players to interpret their works more technically.
【学位授予单位】:武汉音乐学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J621.6

【参考文献】

相关期刊论文 前3条

1 李放;;谈小号演奏中的呼吸技巧[J];北方音乐;2013年07期

2 李晓鹏;;浅论小号弱音器[J];黄河之声;2012年06期

3 陈锐;小号吐音技巧的训练与分析[J];天津音乐学院学报;2000年03期



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