肖斯塔科维奇和朱践耳的同名管弦乐《节日序曲》之比较分析

发布时间：2018-08-30 07:54

【摘要】：音乐是表达人类情感的艺术形式之一,每位作曲家的创作思想和音乐表述中都会贯穿着技术与情感,形式与内容,历史与逻辑的相互融合与相互统一。音乐作品的分析应该是表达出在感性的聆听和理性的解析之后所获得的对作曲家内心的主观看法及富有逻辑的诠释。任何一部具有艺术价值并富含深刻思想性和哲理性的作品,它的技术语言都不应该是孤立的,都是技术、形式、情感、内容的完美结合和统一。只有将这种技术形态放置于作品特定的表述语境中,技术语言才有它存在的价值和意义。肖斯塔科维奇和朱践耳的同名管弦乐《节日序曲》都是经典的音乐会序曲体裁,都创作于20世纪50年代,而且曲式结构都为奏鸣曲式。两部作品描绘出人民共同欢度节日的热烈景象,至今仍是音乐会中的经典之作,备受观众青睐。但是,由于两位作曲家不同的民族背景和文化底蕴以及不同的作曲技法和表达方式,使其作品在内部结构以及音乐风格上各有千秋,在旋律、和声、复调、配器等作曲技法上各具特色。
[Abstract]:Music is one of the artistic forms to express human emotion. Every composer's creative thought and music expression will run through the mutual fusion and unity of technology and emotion, form and content, history and logic. The analysis of music works should express the subjective view and logical interpretation of the composer after perceptual listening and rational analysis. Any work with artistic value and rich in profound ideological and philosophical ideas, its technical language should not be isolated, it is the perfect combination and unity of technology, form, emotion and content. Only by placing this kind of technical form in the specific expressive context of the work can the technical language have its value and significance. Shostakovich and Zhu Jianer's Orchestra of the same name "Festivals prelude" are classical concert prelude genres, both of which were created in the 1950s, and all of them are sonatas. The two works depict the warm scene of the people enjoying the festival together, and they are still the classic works in the concert, which are popular with the audience. However, due to the two composers' different national background and cultural background, as well as different composition techniques and expression methods, their works have their own internal structure and musical style, in melody, harmony, polyphony, Orchestration and other composition techniques have their own characteristics.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J621

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