贝多芬《第一钢琴协奏曲》（第一乐章）的演奏诠释
发布时间：2018-09-04 11:29
【摘要】：《第一钢琴协奏曲》(1796)是贝多芬协奏曲创作的开创作品,是他早期创作的代表作品。本论文以力度的控制、速度的控制、踏板的运用、八度的弹奏方法等为内容,研究贝多芬《第一钢琴协奏曲》(第一乐章)的演奏技巧。贝多芬《第一钢琴协奏曲》(第一乐章)的演奏技巧如下四个方面的特点:第一,快速跑动中强弱对比的触键应从肩膀—经过手腕—到手指的顺序,放松弹奏每一个音。每小节的开始音为关键音,重心放在关键音的手指上,用饱满的力量来支撑头音,剩下的三个音要贴键弹奏,手臂要用往外推或者往内收的方法来补助旋律上行和下行时的力度,这样会使旋律更加连贯。第二,断奏的踏板运用种类有浅踏板、抖动踏板、节奏踏板、切分踏板等4种运用法。随意运用或者踏板上下幅度过大,会出现嗡嗡的声音或者嗓音,所以要谨慎运用踏板。第三,八度弹奏需要手掌的支撑,手的大小也影响着手关节的紧张程度,但手大手小都要放松臂膀和手臂,肩膀不要怂起来。准确无误而有力量的八度就是在这样准确的姿势下练出来的。第四,控制速度有好几种方法:平稳弹奏、压住旋律、连贯弹奏、贴键弹奏等,特别是16分音符跑动时,不要急于跑动,要注意作品的效果。速度过快失去庄重的气氛,速度放慢会失去作曲者的一种积极向上的意图。所以,整个作品的关键在于控制好速度。这离不开平时扎实的基本功。希望本论文的研究结果,能够有助于钢琴专业学生的学习和进步。
[Abstract]:Piano Concerto No. 1 (1796) is a pioneering work of Beethoven Concerto and a representative work of his early creation. In this paper, the performance techniques of Beethoven's Piano Concerto No. 1 (the first movement) are studied in terms of the control of strength, the control of speed, the use of pedals and the playing method of octave. Beethoven's "Piano Concerto No. 1" (the first movement) is characterized by the following four aspects: first, the touch keys of the strong and weak contrasts in the fast running should play each sound loosely from the shoulder-through the wrist-to the finger order. The beginning of each bar is the key, the center of gravity is on the fingers of the key, the head is supported with full force, and the remaining three are played with keys. The arm should be pushed outward or inward to supplement the strength of the melody up and down, which makes the melody more coherent. Secondly, there are four kinds of staccato pedal: shallow pedal, jitter pedal, rhythm pedal and cut pedal. Free use or excessive pedal up and down, there will be a buzzing sound or voice, so use the pedals carefully. Third, octave play requires the support of the palm, the size of the hand also affects the tension of the hand joints, but the big hands should relax the arms and arms, shoulders should not be countenance. The accurate and powerful octave is trained in such an accurate position. Fourth, there are several ways to control the speed: playing smoothly, holding down the melody, playing coherently, sticking keys, etc., especially when running 16 minutes, do not rush to run, pay attention to the effect of the work. Too fast to lose the solemn atmosphere, slow down will lose the composer of a positive intention. Therefore, the key to the whole work is to control the speed well. This is inseparable from the usual solid basic skills. Hope that the results of this paper can contribute to the study and progress of piano students.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
本文编号：2221958
[Abstract]:Piano Concerto No. 1 (1796) is a pioneering work of Beethoven Concerto and a representative work of his early creation. In this paper, the performance techniques of Beethoven's Piano Concerto No. 1 (the first movement) are studied in terms of the control of strength, the control of speed, the use of pedals and the playing method of octave. Beethoven's "Piano Concerto No. 1" (the first movement) is characterized by the following four aspects: first, the touch keys of the strong and weak contrasts in the fast running should play each sound loosely from the shoulder-through the wrist-to the finger order. The beginning of each bar is the key, the center of gravity is on the fingers of the key, the head is supported with full force, and the remaining three are played with keys. The arm should be pushed outward or inward to supplement the strength of the melody up and down, which makes the melody more coherent. Secondly, there are four kinds of staccato pedal: shallow pedal, jitter pedal, rhythm pedal and cut pedal. Free use or excessive pedal up and down, there will be a buzzing sound or voice, so use the pedals carefully. Third, octave play requires the support of the palm, the size of the hand also affects the tension of the hand joints, but the big hands should relax the arms and arms, shoulders should not be countenance. The accurate and powerful octave is trained in such an accurate position. Fourth, there are several ways to control the speed: playing smoothly, holding down the melody, playing coherently, sticking keys, etc., especially when running 16 minutes, do not rush to run, pay attention to the effect of the work. Too fast to lose the solemn atmosphere, slow down will lose the composer of a positive intention. Therefore, the key to the whole work is to control the speed well. This is inseparable from the usual solid basic skills. Hope that the results of this paper can contribute to the study and progress of piano students.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1
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