贝多芬的两乐章钢琴奏鸣曲研究

发布时间：2018-09-07 09:24

【摘要】：钢琴奏鸣曲是古典时期作曲家创作领域中的重要体裁,贝多芬的32首钢琴奏鸣曲更是奏鸣曲文献中的重中之重,被誉为西方音乐史中的“新约全书”。对于古典作曲家而言,奏鸣曲是一种三至四乐章的套曲。莫扎特的钢琴奏鸣曲一般有三个乐章,而贝多芬的32首钢琴奏鸣曲在乐章的数目上则显得极不规则。其早期的三首钢琴奏鸣曲全部都有四个乐章,而不是通常的三个乐章,包含了作曲家对海顿创作手法的学习及挑战。他的大部分钢琴奏鸣曲以三乐章或四乐章为主,其中有6首钢琴奏鸣曲是仅由两个乐章构成的作品,它们分别是第19钢琴奏鸣曲(Op.49 No.1 )、第20钢琴奏鸣曲(Op.49 No.2)、第22钢琴奏鸣曲(Op.54)、第24钢琴奏鸣曲(Op.78)、第27钢琴奏鸣曲(Op.90)以及第32钢琴奏鸣曲(Op.111)。本文论题“贝多芬的两乐章钢琴奏鸣曲研究”包含着双向的努力:一方面,将两乐章奏鸣曲放置在奏鸣曲整体发展脉络的视野中进行考察,发现两乐章奏鸣曲独特的发展轨迹;另一方面,通过探究贝多芬两乐章钢琴奏鸣曲,发现其“对立统一”的美学含义。基于此,笔者拟设立的论述框架由此凸显,全文的论述分为两大部分展开。
[Abstract]:Piano sonata is an important genre in the field of classical composers' creation. Beethoven's 32 piano sonatas are the most important in sonata literature and are praised as the New Testament in the history of western music. For classical composers, sonatas are a three-to-four-movement ensemble. Mozart's piano sonatas generally have three movements, while Beethoven's 32 piano sonatas are irregular in number. His early three piano sonatas all have four movements, rather than the usual three, including the composer's study and challenge of Haydn's creative techniques. Most of his sonatas are composed of three or four movements, six of which are composed of only two movements. They are Piano Sonata No. 19 (Op.49 No.1), Piano Sonata No. 20 (Op.49 No.2), Piano Sonata No. 22 (Op.54), Piano Sonata No. 24 (Op.78), Piano Sonata No. 27 (Op.90) and Piano Sonata No. 32 (Op.111). The study of Beethoven's piano sonatas in two movements contains two-way efforts: on the one hand, the sonata of the two movements is placed in the perspective of the overall development of the sonata, and the unique track of the development of the sonata is found; On the other hand, by exploring the piano sonata of Beethoven's two movements, the aesthetic meaning of unity of opposites is found. Based on this, the author intends to set up the framework of the exposition highlights, the full text of the discussion is divided into two parts.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J624.1

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