布迪厄场域理论在传统音乐非遗传承研究中的运用——以广东省非遗“五华竹马舞”为例
发布时间:2018-09-08 14:07
【摘要】:场域理论是后现代主义社会学理论,以场域理论来观察广东梅州五华竹马舞的音乐舞蹈的"改良",发现在五华竹马舞传承的两个代表性"次场域"——华城镇传统竹马舞场域和水寨镇改良竹马舞场域——中各"位置"所拥有"资本"力量的不同,不仅决定了场域中"生产者"的生产内容,也决定了广东省非物质文化遗产名录中"五华竹马舞"的代表性曲目是"改良"曲目,而非"传统"曲目。
[Abstract]:Field theory is the theory of post-modernism sociology. The "improvement" of the music and dance of Wuhua bamboo and horse dance in Meizhou, Guangdong Province is observed by using the field theory. It is found that the two representative "sub-fields" of the inheritance of Wuhua bamboo and horse dance are the traditional bamboo and horse dance field in China town and the improved bamboo and horse dance field in Shuizhai Town. The differences in the power of "capital" in each "position" in the domain, It not only determines the production content of "producer" in the field, but also decides that the representative track of "Wuhua Bamboo and Horse Dance" in the list of intangible cultural heritage of Guangdong Province is "improved", not "traditional".
【作者单位】: 华南师范大学音乐学院;
【基金】:广东省社科“十二五”规划课题《非遗视野下岭南“竹马舞”研究》项目成果,项目编号:GD15CYS02
【分类号】:J607
本文编号:2230747
[Abstract]:Field theory is the theory of post-modernism sociology. The "improvement" of the music and dance of Wuhua bamboo and horse dance in Meizhou, Guangdong Province is observed by using the field theory. It is found that the two representative "sub-fields" of the inheritance of Wuhua bamboo and horse dance are the traditional bamboo and horse dance field in China town and the improved bamboo and horse dance field in Shuizhai Town. The differences in the power of "capital" in each "position" in the domain, It not only determines the production content of "producer" in the field, but also decides that the representative track of "Wuhua Bamboo and Horse Dance" in the list of intangible cultural heritage of Guangdong Province is "improved", not "traditional".
【作者单位】: 华南师范大学音乐学院;
【基金】:广东省社科“十二五”规划课题《非遗视野下岭南“竹马舞”研究》项目成果,项目编号:GD15CYS02
【分类号】:J607
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