嵇康音乐思想之研究
发布时间：2018-09-08 19:50
【摘要】：嵇康与何晏、王弼、向秀、郭象等主流玄学家以本体论为研究重点、为名教正名为目的、采用三玄注解之方式的玄学路数相异,在于其认识论中的科学方法——亦即他在音乐哲学上取得前无古人成就的重要原因。嵇康并没有对哲学本体论表现出太大兴趣,他关心的是形而上与形而下的联结,即“气”与“至理”(“自然之理”)。他以演绎结论为出发点,并花费大量精力进行“格物致知”的“科学研究”来校验——音乐内部的运动规律、养生规律、心理规律、堪舆术之合理性等等。藉由分类之学所得之相对确定的结论,嵇康建立了一个相当规模的知识体系,并将演绎思想与不断对此知识体系内部之关联进行归纳相结合来实现其追求“至理”的理想。嵇康的“至理”方法论融合了传统道家“天人合一”思想与汉代新道家的唯物思想,既重视抽象演绎,又重视经验归纳；既视自然与人为一的整体性,又在认识论上将自然界作为一个独立的认识对象——由此导出分类思想,是科学发展的基础,而为人的认识能力划定范围又是哲学认识论的重点。嵇康的音乐研究属于其思想体系的重要分支,大大消除了之前道家音乐理论中的神秘性；不仅与主流玄学家不同,在整个魏晋艺术史中,也是独树一帜。
[Abstract]:The mainstream metaphysics such as Ji Kang and he Yan, Wang Bi, Xiang Xiu, Guo Xiang and other mainstream metaphysics scholars have different ways of studying metaphysics, which focus on ontology, teach names as names, and adopt the method of three metaphysics annotations. The scientific method in his epistemology is the important reason for his unprecedented achievement in music philosophy. Ji Kang did not show much interest in philosophical ontology. He was concerned about the connection between metaphysics and metaphysics, that is, "Qi" and "Zhi Li" ("natural reason"). He takes deductive conclusion as the starting point, and spends a lot of energy on "scientific research" to verify the movement, health, psychology and rationality of the music. Based on the relative certainty of classification, Ji Kang established a knowledge system of a considerable scale, and combined deductive thinking with the continuous induction of the internal relevance of the knowledge system to realize the ideal of "truth". Ji Kang's "Zhili" methodology combines the traditional Taoist thought of "harmony of nature and man" with the materialistic thought of the new Taoist school of the Han Dynasty, which attaches importance to both abstract deduction and empirical induction, as well as the integrity of nature and man. It is the basis of scientific development to take nature as an independent object of cognition in epistemology, which is the basis of scientific development, and the focus of philosophical epistemology is to define the scope of human cognitive ability. Ji Kang's music research belongs to the important branch of his thought system, which greatly eliminates the mystery in the previous Taoist music theory. It is not only different from the mainstream metaphysics, but also unique in the whole Wei and Jin art history.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J609.2
，
本文编号：2231518
[Abstract]:The mainstream metaphysics such as Ji Kang and he Yan, Wang Bi, Xiang Xiu, Guo Xiang and other mainstream metaphysics scholars have different ways of studying metaphysics, which focus on ontology, teach names as names, and adopt the method of three metaphysics annotations. The scientific method in his epistemology is the important reason for his unprecedented achievement in music philosophy. Ji Kang did not show much interest in philosophical ontology. He was concerned about the connection between metaphysics and metaphysics, that is, "Qi" and "Zhi Li" ("natural reason"). He takes deductive conclusion as the starting point, and spends a lot of energy on "scientific research" to verify the movement, health, psychology and rationality of the music. Based on the relative certainty of classification, Ji Kang established a knowledge system of a considerable scale, and combined deductive thinking with the continuous induction of the internal relevance of the knowledge system to realize the ideal of "truth". Ji Kang's "Zhili" methodology combines the traditional Taoist thought of "harmony of nature and man" with the materialistic thought of the new Taoist school of the Han Dynasty, which attaches importance to both abstract deduction and empirical induction, as well as the integrity of nature and man. It is the basis of scientific development to take nature as an independent object of cognition in epistemology, which is the basis of scientific development, and the focus of philosophical epistemology is to define the scope of human cognitive ability. Ji Kang's music research belongs to the important branch of his thought system, which greatly eliminates the mystery in the previous Taoist music theory. It is not only different from the mainstream metaphysics, but also unique in the whole Wei and Jin art history.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J609.2
，
本文编号：2231518
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