浅论中国民族管弦乐队中拉弦声部的训练

发布时间：2018-09-09 08:52

【摘要】：回顾中国民族管弦乐团六十多年的发展,要追溯到建国之初的一九四九年中国电影民族乐团的创立。一九五三年中国杰出的民族音乐大师、中国民族管弦乐队创始人、成就卓著的指挥家、作曲家彭修文先生创建了中国广播民族乐团。如今的中国广播民族乐团是由原中国广播民族乐团和原中国电影乐团民族乐团重组整合而成的大型民族管弦乐团。早在彭修文先生创建之初就确立了拉弦、弹拨、吹管、打击四大声部的编制。彭先生为中国民族管弦乐团编制的规范化、科学化做出了开创性的贡献,这一贡献被海内外民乐界所公认,至今仍被海内外民族乐团所效仿。在进入指挥系学习之前,我经历了在中央音乐学院附小至研究生十五年的二胡专业学习历程,毕业后有幸考入中国广播民族乐团。在学校学习的主要是独奏,乐队合奏也兼顾训练和学习。而进入职业乐团后,每天面对的本职工作就是乐队合奏,这与在校期间很不相同。随着时间的推移,慢慢体会到乐队演奏和独奏有着越来越大的区别。尤其是在从事指挥之后,很多问题变得越发明显。本文结合我个人的专业学习与工作经验,试从自身所学二胡与指挥双专业相结合的角度,来对拉弦声部中的右手运弓、左手技巧,以及相关的若干问题予以论述,旨在探索和获得中国民族管弦乐队中拉弦声部良好的声音与演奏状态。
[Abstract]:A review of the development of the Chinese National Orchestra for more than 60 years dates back to the founding of the Chinese Film Orchestra in 1949 at the beginning of the founding of the people's Republic of China. In 1953, China's outstanding national music master, the founder of the Chinese national orchestra, accomplished conductor, composer Peng Xiuwen founded the China Broadcasting National Orchestra. Today's China Radio Orchestra is a large national orchestra composed of the former China Radio ethnic Orchestra and the former China Film Orchestra. As early as the establishment of Peng Xiuwen, the establishment of the string, plucking, blowing tube, hit the four major parts of the system. Mr. Peng has made a pioneering contribution to the standardization and scientization of the compilation of Chinese national orchestras, which has been recognized by the folk music circles at home and abroad and is still emulated by the national orchestras at home and abroad. Before entering the Department of conductor, I went through 15 years of erhu major in the Central Conservatory of Music. After graduation, I was admitted to the China Radio National Orchestra. In the school study is mainly solo, band ensemble also both training and study. And after entering professional orchestra, the work that faces every day is band ensemble, this is very different from school time. Over time, I gradually realized that there are more and more differences between band playing and solo playing. Especially after conducting a command, many problems become more obvious. Combined with my personal professional study and work experience, this paper tries to discuss the right hand bow, left hand skills and some related problems from the angle of the combination of erhu and command, which I have learned from myself, in the sound department of string drawing, which includes the operation of the bow by the right hand, the operation of the bow by the left hand, and the related problems. The purpose of this paper is to explore and obtain the sound and playing state of the Chinese national orchestra.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J632

【相似文献】