峄山白云宫道教音乐研究

发布时间：2018-09-09 20:14

【摘要】：中国传统宗教--道教,远古巫术、秦国汉朝时期的方术被视为其源头。东汉末年,道教正式创立。道教音乐与道教紧密相连,道乐在古代巫觋的祭祀音乐中孕育。道教音乐历史悠久,音乐形式富厚多彩,构成中国传统音乐的丰厚种类。山东是中国道教的重要组成部分,道教资源丰富。从古至今,山东地区产生许多著名的道教经典,著名的道教宫观、碑文石刻也遍布全省各处。对于道教音乐的研究,从无到有,经历了百年历史,期间积累下了大量的道教音乐研究资料,为现如今研究道教音乐打下了坚实的理论基础。目前针对峄山道乐的相关研究有邹城人马锡干先生搜集整理编写的《峄山道乐》一书,该书记录了大量的道乐器乐曲牌和经歌,为本研究课题提供了重要的谱例研究资料。本文主要是从以下几个思路研究:一、峄山白云宫文献及资料整理。二、利用田野调查法去尽可能得到详确的科学研究资料。三、联系宗教学及民俗、风俗学、历史学、地理学等学科的理论研究方法,利用相关音乐学的学科理论和研究手段,对峄山白云宫道教音乐全真深入了解。本文研究的内容主要包括四个重要方面,第一,探寻峄山历史、峄山道教历史、峄山道教音乐历史,对道教及道乐历史进行全面梳理。第二,实地考察了解目前峄山白云宫道教音乐现状,对峄山白云宫早晚课诵音乐及峄山三圣阁道教开光仪式音乐进行详细和详实记录,探究其程式化音乐。第三,对峄山道乐的音乐形态同全真正韵的音乐形态进行比较分析研究,探究异同,思考其流变原因。第四,思索峄山道乐和其他音乐、文化类型的彼此交融影响。通过以上研究,本文得出的主要结论有:一、峄山白云宫道教音乐在保留了全真道音乐内核和本质的基础上,也吸收了地方的民间音乐文化,和其他地域的全真教发展一样,都浸入了当地的地方色彩。二、现如今峄山白云宫的道教音乐和全真正韵保持一致,所使用的道乐是规范化全真正韵,地方性色彩不甚浓厚,程式上与北京白云观道教音乐(全真第一丛林)很大方面保持了统一。三、峄山白云宫道教及道教音乐都是山东及中国道教文化的重要载体,对于峄山白云宫道教音乐的深入挖掘和探究,进一步推动整个宗教文化及中国民族文化。而这些工作的实现,不单单只依靠道内人自己,须要社会各界人士的全力和关注。
[Abstract]:Chinese traditional religion-Taoism, ancient witchcraft, the Qin Dynasty Han Dynasty prescription is regarded as its source. In the late Eastern Han Dynasty, Taoism was officially established. Taoist music is closely connected with Taoism, and Taoist music is conceived in the music of sacrifice of ancient wizard. Taoist music has a long history and rich and colorful forms, which constitute a rich variety of Chinese traditional music. Shandong is an important part of Chinese Taoism. Taoism is rich in resources. From ancient times to the present, many famous Taoist classics, famous Taoist temples, inscriptions and stone inscriptions have been produced in Shandong. For the study of Taoist music, from scratch, experienced a hundred years of history, during the accumulation of a large number of Taoist music research materials, for the present study of Taoist music laid a solid theoretical foundation. At present, there is a book "Mount Yi Daole" compiled by Mr. Ma Xigan of Zoucheng, who has recorded a large number of music plates and sutras of Tao instruments, which provides important research data for this research subject. This paper is mainly from the following ideas: first, Yishan Baiyun Palace literature and data arrangement. Second, make use of the field investigation method to obtain accurate scientific research materials as much as possible. Third, the theory research method of religion and folklore, custom, history, geography and so on, using the relevant musicology theory and research means, deeply understand the Taoism music of Yishan Baiyungong. The main contents of this paper include four important aspects: first, explore the history of Mount Yi, Mount Yi Taoist music history, Taoism and Taoist music history. Secondly, the present situation of Taoist music in Yishan Baiyungong is investigated on the spot, and detailed records are made of the music of Yishan Baiyun Palace in the morning and evening, and the music of the Taoist opening ceremony of the three Saints Pavilion in Yishan, and the stylized music is explored. Thirdly, the music form of Yishan Taoist music is compared with that of the whole true rhyme, the similarities and differences are explored, and the reasons for its evolution are considered. Fourth, consider the influence of Yishan Road music and other music, cultural types. Through the above research, the main conclusions of this paper are as follows: first, the Taoist music of Baiyungong on Mount Yi retains the essence and essence of Quanzhen Taoist music, and also absorbs the local folk music culture, just like the development of Quanzhen religion in other regions. Are immersed in the local color. Second, today the Taoist music in Baiyun Palace on Mount Yi is consistent with the full true rhyme, and the Taoist music used is standardized, full true rhyme, and local color is not very strong. Program with Beijing the White Cloud Taoist Temple Taoist music (the first jungle of Quan Zhen) is maintained in a large way. Thirdly, Taoism and Taoist music in Yishan Baiyun Palace are important carriers of Taoist culture in Shandong and China. The deep excavation and exploration of Taoist music in Yishan Baiyun Palace will further promote the whole religious culture and Chinese national culture. The realization of these tasks not only depends on the Taoists themselves, but also requires the full attention and attention of all sectors of the community.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J608

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