中国古典风流行歌曲表现形态与审美特征研究
发布时间：2018-09-10 14:00
【摘要】：古典风流行歌曲是一种体现了我国传统文化底蕴和审美的流行歌曲。具体来说就是以中国文化为创作背景,并将现代节奏与怀旧的中国背景相结合,在创作手法和题材上带有古典风格,在唱法、乐器和编曲技巧中融合中国传统民族音乐元素,歌词融入中国古典文化元素且具有中国文化内涵,并致力于体现中国传统文化精髓和魅力的一种歌曲风格。从20世纪80年代发展至今,古典风流行歌曲已然蔚然成风,它不仅弥补了流行文化中的民族传统缺失,还促进了民族意识的觉醒和族群内部文化的认同,是一种深受两岸三地听众喜爱和追捧的流行歌曲风格。“古典风”作为中国特有的流行歌曲风格,拥有着与众不同的中国古典气质。从歌词内容来说,因受到中国古典文化的影响,古典风流行歌曲的文化主题不再局限于“爱情”和“怀旧”,歌词表述也不再浅俗苍白,相较于其他风格的流行歌曲,“古典风”的内容更有了一种“历史感”、“文化感”,而这种独特的审美感受就彰显了古典风流行歌曲与众不同的古典艺术品位;从音乐形式来说,古典风流行歌曲在旋律、唱腔、配器方面大量引用和借鉴中国传统音乐元素,这些传统音乐元素为古典风流行歌曲塑造出轻灵淡雅、古典优美的意境,不但加深了作品本身的美,更凸显出了作品的民族文化特色。在各种文化碰撞激烈的21世纪,古典风流行歌曲以其复古的创作手法、怀旧的心理机制、尚雅的审美心态为流行歌曲生态带来了崭新的面貌。它通过古典文明文化的倾力呈现、民族形态意识的不断推进,满足了当代人的心理需要、缓解了当代人的时代阵痛。作为一种大众流行文化,古典风流行歌曲却有着“大雅”的审美情怀,不仅契合了中国古典美学所推崇的“乐而不淫,哀而不伤”的审美准则,还反映出了中国古典美学追求人与自然的和谐统一以及“以物观物”、“以我观物”的哲学认知方式。最后,古典风流行歌曲的盛行也体现了作为汉民族的原型文化心理结构,怀旧已经在以无意识的方式规范着整个民族的道德伦理认同和文化认同,并且维系着整个时代的精神家园建设和寻根文化的坚实脚步。
[Abstract]:Classical wind pop song is a pop song which embodies the traditional culture and aesthetics of our country. Specifically, it takes Chinese culture as the background of creation, and combines modern rhythm with nostalgic Chinese background, with classical style in creation technique and subject matter, and integration of elements of traditional Chinese folk music in singing, musical instruments and choreography skills. The lyrics are integrated into the elements of Chinese classical culture and have the connotation of Chinese culture, and they are devoted to embodying the essence and charm of Chinese traditional culture. Since the 1980s, classical pop songs have become popular, which not only make up for the lack of national tradition in popular culture, but also promote the awakening of national consciousness and the identification of ethnic groups' internal culture. It is a popular song style that is loved and sought after by the audience of the two sides of the Taiwan Strait. As a unique pop song style in China, Classical Wind has a distinctive Chinese classical temperament. In terms of lyrics, because of the influence of Chinese classical culture, the cultural themes of classical pop songs are no longer confined to "love" and "nostalgia", and the lyrics are no longer vulgar and pale, compared with popular songs of other styles. The contents of "Classical Wind" have a sense of history and a sense of culture, and this unique aesthetic feeling shows the unique taste of classical art in classical pop songs. In terms of music form, classical wind pop songs are in the melody. In singing and orchestration, a large number of Chinese traditional musical elements have been cited and used for reference. These traditional musical elements have created a light, elegant and classical artistic conception for classical pop songs, which not only deepens the beauty of the work itself, It also highlights the national cultural characteristics of the works. In the 21st century when all kinds of cultures collide with each other, classical pop songs bring a new look to the ecology of pop songs with their retro writing techniques, nostalgic psychological mechanism and elegant aesthetic mentality. Through the presentation of classical civilization and culture, and the continuous promotion of national consciousness, it meets the psychological needs of contemporary people and alleviates the pains of the times of contemporary people. As a popular culture, classical pop songs have the aesthetic feelings of "great elegance", which not only accord with the aesthetic criterion of "pleasure but not harlotry, sorrow but not injury", which is respected by Chinese classical aesthetics. It also reflects the pursuit of harmony and unity between man and nature in Chinese classical aesthetics, and the philosophical cognition of "viewing things by things" and "viewing things by oneself". Finally, the prevalence of classical pop songs also reflects the psychological structure of the prototype culture of the Han nationality. Nostalgia has already regulated the moral and ethical identity and cultural identity of the whole nation in an unconscious way. And maintain the spirit of the entire era of the construction of homeland and root-seeking culture solid steps.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J605
[Abstract]:Classical wind pop song is a pop song which embodies the traditional culture and aesthetics of our country. Specifically, it takes Chinese culture as the background of creation, and combines modern rhythm with nostalgic Chinese background, with classical style in creation technique and subject matter, and integration of elements of traditional Chinese folk music in singing, musical instruments and choreography skills. The lyrics are integrated into the elements of Chinese classical culture and have the connotation of Chinese culture, and they are devoted to embodying the essence and charm of Chinese traditional culture. Since the 1980s, classical pop songs have become popular, which not only make up for the lack of national tradition in popular culture, but also promote the awakening of national consciousness and the identification of ethnic groups' internal culture. It is a popular song style that is loved and sought after by the audience of the two sides of the Taiwan Strait. As a unique pop song style in China, Classical Wind has a distinctive Chinese classical temperament. In terms of lyrics, because of the influence of Chinese classical culture, the cultural themes of classical pop songs are no longer confined to "love" and "nostalgia", and the lyrics are no longer vulgar and pale, compared with popular songs of other styles. The contents of "Classical Wind" have a sense of history and a sense of culture, and this unique aesthetic feeling shows the unique taste of classical art in classical pop songs. In terms of music form, classical wind pop songs are in the melody. In singing and orchestration, a large number of Chinese traditional musical elements have been cited and used for reference. These traditional musical elements have created a light, elegant and classical artistic conception for classical pop songs, which not only deepens the beauty of the work itself, It also highlights the national cultural characteristics of the works. In the 21st century when all kinds of cultures collide with each other, classical pop songs bring a new look to the ecology of pop songs with their retro writing techniques, nostalgic psychological mechanism and elegant aesthetic mentality. Through the presentation of classical civilization and culture, and the continuous promotion of national consciousness, it meets the psychological needs of contemporary people and alleviates the pains of the times of contemporary people. As a popular culture, classical pop songs have the aesthetic feelings of "great elegance", which not only accord with the aesthetic criterion of "pleasure but not harlotry, sorrow but not injury", which is respected by Chinese classical aesthetics. It also reflects the pursuit of harmony and unity between man and nature in Chinese classical aesthetics, and the philosophical cognition of "viewing things by things" and "viewing things by oneself". Finally, the prevalence of classical pop songs also reflects the psychological structure of the prototype culture of the Han nationality. Nostalgia has already regulated the moral and ethical identity and cultural identity of the whole nation in an unconscious way. And maintain the spirit of the entire era of the construction of homeland and root-seeking culture solid steps.
【学位授予单位】：湖南科技大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J605
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1 邓钥琼;中国古典风流行歌曲表现形态与审美特征研究[D];湖南科技大学;2017年
2 刘sコ，
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