“向后看”—论古典诗词影响下的琼瑶歌词创作
发布时间：2018-09-11 16:41
【摘要】：琼瑶,台湾小说家、编剧、诗人、词作家。她从上世纪六十年代就开始创作歌词,直到今天依然笔耕不辍,共写下歌词近三百首,许多歌词例如《在水一方》、《一帘幽梦》、《烟雨蒙蒙》、《我是一片云》、《婉君》、《当》等等经谱曲后在华语届广泛传唱,成为几代人的共同记忆。她创作的歌词深受古典诗词的影响,同时又巧妙融合了自己独特的生命体验,歌词语言既通俗易懂又不失清新雅致,歌词情感既缠绵热烈又不庸俗滥情,歌词节奏既灵动活泼又严谨整齐,歌词内容既与古典诗词相呼应又与现代生活合拍,具有极高的审美价值。然而,学术界对于琼瑶歌词的研究并不充分。虽然已有学者发现琼瑶的歌词创作受古典诗词的影响颇深,但是对于为何受古典诗词的影响、在哪些方面受影响等问题的探究并不深入,而这些问题正是本文论述的重点。在绪论部分对琼瑶为何进行歌词创作,歌词与她的小说、影视剧、诗歌的关系,她歌词创作的大致情况和研究现状做了介绍。第一章则主要分析了琼瑶歌词创作受古典诗词影响的原因:她生长在古典文化气息浓郁的书香世家,从小就接受古典诗词的启蒙和熏陶,对古典诗词十分喜爱,对许多诗词都熟烂于心、运用自如,古典诗词对她的影响可以说是十分深远的。而第二章和第三章则分别从情思和诗艺两方面阐释古典诗词对琼瑶歌词创作的影响:她继承了古典诗词对爱情、孤独、漂泊、离别等方面情感的吟咏,借助古典诗词中频频出现的意象,如花、月、云、烟雨等等,融合进去自身的理解和人生感悟,学习古典诗词灵活巧妙而又不失严密的节奏艺术,使得歌词不论是内在意境还是外在节奏,都显露出鲜明的古典诗词色彩。
[Abstract]:Qiong Yao, Taiwan novelist, screenwriter, poet, ci writer. She began to write lyrics in the 1960s, and still writes down nearly 300 lyrics today. Many lyrics, such as "on the Water side", "A Shayou Dream", "smoke and Rain", "I am a Cloud", "Wanjun", "when" and so on, are widely sung in the Chinese language after composing, and become the common memory of several generations. Her lyrics are deeply influenced by classical poetry, and at the same time they are skillfully integrated with her own unique life experience. The lyrics are both easy to understand and fresh and elegant, and the lyrics are passionate and unvulgar. The rhythm of lyrics is lively and neat, and the content of lyrics is not only in harmony with classical poetry but also with modern life, so it has a high aesthetic value. However, the academic research on Qiong Yao lyrics is not sufficient. Although some scholars have found that Qiong Yao's lyric creation is deeply influenced by classical poetry, the research on why and in what aspects are not deep, and these questions are the focus of this paper. In the introduction part, the author introduces Qiong Yao's lyric creation, the relationship between lyrics and her novels, movies and TV dramas, poetry, the general situation of her lyric creation and the present situation of her research. The first chapter mainly analyzes the reasons why Qiong Yao's lyric creation is influenced by classical poetry: she grew up in a classical cultural family, received the enlightenment and edification of classical poetry from an early age, and loved classical poetry very much. Many poems are familiar with the heart, the use of free, classical poetry on her influence can be said to be very profound. The second and third chapters explain the influence of classical poetry on Qiong Yao's lyrics from two aspects of love and poetry: she inherits the emotional chanting of love, loneliness, drift, parting and so on. With the help of the images that frequently appear in classical poetry, such as flowers, moon, clouds, smoke and rain, and so on, they blend in their own understanding and understanding of life, and learn the flexible, ingenious, yet rigorous rhythmic art of classical poetry. So that the lyrics, whether internal artistic conception or external rhythm, all show a distinct color of classical poetry.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614.9
[Abstract]:Qiong Yao, Taiwan novelist, screenwriter, poet, ci writer. She began to write lyrics in the 1960s, and still writes down nearly 300 lyrics today. Many lyrics, such as "on the Water side", "A Shayou Dream", "smoke and Rain", "I am a Cloud", "Wanjun", "when" and so on, are widely sung in the Chinese language after composing, and become the common memory of several generations. Her lyrics are deeply influenced by classical poetry, and at the same time they are skillfully integrated with her own unique life experience. The lyrics are both easy to understand and fresh and elegant, and the lyrics are passionate and unvulgar. The rhythm of lyrics is lively and neat, and the content of lyrics is not only in harmony with classical poetry but also with modern life, so it has a high aesthetic value. However, the academic research on Qiong Yao lyrics is not sufficient. Although some scholars have found that Qiong Yao's lyric creation is deeply influenced by classical poetry, the research on why and in what aspects are not deep, and these questions are the focus of this paper. In the introduction part, the author introduces Qiong Yao's lyric creation, the relationship between lyrics and her novels, movies and TV dramas, poetry, the general situation of her lyric creation and the present situation of her research. The first chapter mainly analyzes the reasons why Qiong Yao's lyric creation is influenced by classical poetry: she grew up in a classical cultural family, received the enlightenment and edification of classical poetry from an early age, and loved classical poetry very much. Many poems are familiar with the heart, the use of free, classical poetry on her influence can be said to be very profound. The second and third chapters explain the influence of classical poetry on Qiong Yao's lyrics from two aspects of love and poetry: she inherits the emotional chanting of love, loneliness, drift, parting and so on. With the help of the images that frequently appear in classical poetry, such as flowers, moon, clouds, smoke and rain, and so on, they blend in their own understanding and understanding of life, and learn the flexible, ingenious, yet rigorous rhythmic art of classical poetry. So that the lyrics, whether internal artistic conception or external rhythm, all show a distinct color of classical poetry.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614.9
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