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论钢琴协奏曲《黄河》中的民族性问题

发布时间:2018-09-14 07:05
【摘要】:钢琴协奏曲《黄河》是1969年由殷承宗、刘庄、盛礼洪、许斐星、石叔诚和储望华六人根据抗日战争时期,爱国救亡的大型音乐组曲《黄河大合唱》改编而成。这部钢琴协奏曲以西方钢琴协奏曲的表现手法为主同时在乐曲的曲式结构上又融入了,富有中国民间传统音乐元素的船夫号子等曲式。这部钢琴协奏曲由爱国救亡组曲《黄河大合唱》为基调,富有强烈的民族性。本次研究主要从《黄河》协奏曲整体所体现出的民族性和各个乐章中所体现出的民族性为研究对象,从乐曲的乐章构成、旋律特征、和声运用和乐器选择四个方面整体把握《黄河协奏曲中所展现的民族性;同时又根据乐章分布对各个乐章中所展现出的民族性进行分析和汇总。
[Abstract]:Piano Concerto Yellow River was composed of Yin Chengzong, Liu Zhuang, Sheng Lihong, Xu Feanxing, Shi Shucheng and Chu Wanghua in 1969. The piano concerto is mainly composed of the western piano concerto, and it is also integrated in the musical form structure, which is rich in the traditional Chinese folk music elements, such as the boatman's horn and so on. The piano concerto is based on the theme of the Patriotic Suite, Yellow River Chorus, which has a strong national character. This study mainly from the "Yellow River" Concerto as a whole reflected the national character and each movement reflected in the national character as the object of study, from the composition of the music, melody characteristics, In the four aspects of the use of harmony and the choice of musical instruments, the nationality displayed in the "Yellow River Concerto" is grasped as a whole, and at the same time, the nationality shown in each movement is analyzed and summarized according to the distribution of the movement.
【学位授予单位】:吉林艺术学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J624.1

【参考文献】

相关期刊论文 前2条

1 曾艳;;钢琴协奏曲《黄河》的民族性艺术特征漫谈[J];大舞台;2015年01期

2 张英华;;钢琴协奏曲《黄河》的民族性艺术特征[J];大舞台;2014年05期



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