甘肃民间小调音乐研究
发布时间：2018-09-17 09:52
【摘要】：甘肃省是祖国西部省份,地处黄土高原、青藏高原和内蒙古高原三大高原的交汇处,地域辽阔,是个多山的省份。陇东、陇中黄土高原位于甘肃省东部和中部地区,东起甘陕省界,西至乌鞘岭畔;陇南山地沟壑纵横,山高林茂,到处清流不息;河西走廊位于祁连山以北,北山以南,东起乌鞘岭,西至甘新交界,是块自东向西、由南向北倾斜的狭长地带。本文运用文献研究法,在大量查阅民间小调和地理学相关书籍的基础上,发现地理成因对民间小调风格性色彩的形成具有一定的影响,方言在小调中起到了极其重要的作用。而甘肃地域狭长,因地域的不同,各地方言也有不同。国内专家学者对甘肃民间音乐的关注和研究日益增多,很多论文着重点多在甘肃某一地区,以描写某一地区的民间小调为中心内容展开论述,而与其相近地域的民间小调却少有综合论述或研究,更少有对甘肃民间小调的一个综合性音乐研究。本论文不仅对整个甘肃地区民间小调进行了全面的音乐分析,并且在音乐分析的基础上,对甘肃民间小调的腔词特点进行了梳理和分析。本论文分为四个章节,第一章绪论是研究现状、方法及意义;第二章介绍了甘肃民间小调概况,从甘肃民间小调的分布和分类入手介绍甘肃民间小调;第三章对甘肃民间小调进行音乐分析,按地域的不同对甘肃民间小调进行音乐本体分析;第四章是甘肃民间小调的音乐特征,也是本文的重点章节,从歌词特点、衬词衬腔、润腔润句等方面突出了甘肃民间小调的腔词特点。在甘肃民间小调音乐本体分析的基础上,加入了腔词分析,通过腔词分析,看出各地方言是甘肃民间小调旋律走向以及民间小调的色彩形成的重要成因,这也是甘肃民间小调色彩纷呈的原因。本论文从音乐学的角度,以陇东、陇南、河西、陇中为切入点,对甘肃地区民间小调进行音乐形态的分析,对其所在地区典型性的民间小调从曲式结构、调式调性以及节奏节拍等方面进行分析和研究。以民族音乐学的视角去解读和分析甘肃民间小调音乐文化,深入阐述甘肃民间小调的音乐文化特征,对甘肃民间小调今后的传承与保护提出一点自己的建议。
[Abstract]:Gansu Province is the western province of the motherland, is located in the Loess Plateau, Qinghai-Tibet Plateau and Inner Mongolia Plateau of the intersection of the three highlands, vast territory, is a mountainous province. Longdong, Longzhong Loess Plateau is located in the eastern and central areas of Gansu Province. It starts from the Gansu and Shaanxi provinces in the east and reaches the Wushaoling bank in the west; the mountain gullies in Longnan are vertical and horizontal, the mountains are high and the forests are luxuriant, and the Hexi Corridor is located in the north of the Qilian Mountains and south of the North Mountains. East Wushaoling, west to Ganxin junction, is a block from east to west, from south to north sloping narrow strip. Based on a large number of books on folk minor and geography, this paper finds that geographical origin has certain influence on the formation of folk minor style color, and dialect plays an extremely important role in minor. But Gansu area is long and narrow, because of the region's difference, each place dialect also has the difference. Domestic experts and scholars are paying more and more attention to and studying folk music in Gansu. Many papers focus on a certain region of Gansu, with the description of folk minor as the central content. However, there are few comprehensive studies on folk minor and a comprehensive study of Gansu folk minor. This paper not only carries on the comprehensive music analysis to the whole Gansu area folk minor key, and on the basis of the music analysis, has carried on the comb and the analysis to the Gansu folk minor key cavity word characteristic. This paper is divided into four chapters, the first chapter is the introduction of the research status, methods and significance, the second chapter introduces the general situation of Gansu folk minor, from the distribution and classification of Gansu folk minor to introduce Gansu folk minor; The third chapter is the music analysis of Gansu folk minor, according to different regions of Gansu folk minor music Noumenon analysis; the fourth chapter is Gansu folk minor music characteristics, but also the key chapter of this article, from the lyrics characteristics, lining words, Runcai run sentence and other aspects highlight the characteristics of Gansu folk minor colloquial words. On the basis of the Noumenon Analysis of the Folk minor Music in Gansu Province, the analysis of the colloquial words is added. Through the analysis of the colloquial words, we can see that local dialects are the important causes of the trend of the melody in the folk minor and the formation of the color of the folk minor in Gansu. This is also the reason for the colorful folk minor in Gansu. From the point of view of musicology, this paper takes Longdong, Longnan, Hexi and Longzhong as the breakthrough point, analyzes the music form of the folk minor in Gansu region, and analyzes the typical folk minor structure of the region. Analysis and research on modulation and rhythm. From the perspective of ethnomusicology, this paper interprets and analyzes the folk minor music culture in Gansu, expounds the music culture characteristics of Gansu folk minor, and puts forward some suggestions for the inheritance and protection of Gansu folk minor in the future.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J607
本文编号：2245498
[Abstract]:Gansu Province is the western province of the motherland, is located in the Loess Plateau, Qinghai-Tibet Plateau and Inner Mongolia Plateau of the intersection of the three highlands, vast territory, is a mountainous province. Longdong, Longzhong Loess Plateau is located in the eastern and central areas of Gansu Province. It starts from the Gansu and Shaanxi provinces in the east and reaches the Wushaoling bank in the west; the mountain gullies in Longnan are vertical and horizontal, the mountains are high and the forests are luxuriant, and the Hexi Corridor is located in the north of the Qilian Mountains and south of the North Mountains. East Wushaoling, west to Ganxin junction, is a block from east to west, from south to north sloping narrow strip. Based on a large number of books on folk minor and geography, this paper finds that geographical origin has certain influence on the formation of folk minor style color, and dialect plays an extremely important role in minor. But Gansu area is long and narrow, because of the region's difference, each place dialect also has the difference. Domestic experts and scholars are paying more and more attention to and studying folk music in Gansu. Many papers focus on a certain region of Gansu, with the description of folk minor as the central content. However, there are few comprehensive studies on folk minor and a comprehensive study of Gansu folk minor. This paper not only carries on the comprehensive music analysis to the whole Gansu area folk minor key, and on the basis of the music analysis, has carried on the comb and the analysis to the Gansu folk minor key cavity word characteristic. This paper is divided into four chapters, the first chapter is the introduction of the research status, methods and significance, the second chapter introduces the general situation of Gansu folk minor, from the distribution and classification of Gansu folk minor to introduce Gansu folk minor; The third chapter is the music analysis of Gansu folk minor, according to different regions of Gansu folk minor music Noumenon analysis; the fourth chapter is Gansu folk minor music characteristics, but also the key chapter of this article, from the lyrics characteristics, lining words, Runcai run sentence and other aspects highlight the characteristics of Gansu folk minor colloquial words. On the basis of the Noumenon Analysis of the Folk minor Music in Gansu Province, the analysis of the colloquial words is added. Through the analysis of the colloquial words, we can see that local dialects are the important causes of the trend of the melody in the folk minor and the formation of the color of the folk minor in Gansu. This is also the reason for the colorful folk minor in Gansu. From the point of view of musicology, this paper takes Longdong, Longnan, Hexi and Longzhong as the breakthrough point, analyzes the music form of the folk minor in Gansu region, and analyzes the typical folk minor structure of the region. Analysis and research on modulation and rhythm. From the perspective of ethnomusicology, this paper interprets and analyzes the folk minor music culture in Gansu, expounds the music culture characteristics of Gansu folk minor, and puts forward some suggestions for the inheritance and protection of Gansu folk minor in the future.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J607
【参考文献】
相关硕士学位论文 前2条
1 马璇;武都民间小调研究[D];兰州大学;2015年
2 郑玉林;陇东民歌的特征分析[D];西北师范大学;2010年
，本文编号：2245498
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