李廷松演奏谱与刘德海演奏谱《霸王卸甲》之比较分析

发布时间：2018-09-19 18:17

【摘要】：琵琶武曲《霸王卸甲》富于表现性音色韵味,将强弱有致的内在张力与丰富多样的演奏技巧发挥的淋漓尽致。由于演奏谱版本的多样化,因此相对应的演奏风格彼此之间存在很大的差异性。以李廷松为代表的汪派将表现的重点放在了霸王的英勇无敌的气势和战火连天的古战场战斗场面上。刘德海则在汪派演奏风格上给予了创新化,既突出了气势磅礴的霸王之气,又生动而细腻得展示了楚霸王的英雄气短儿女情长的悲怆。本文试图对此作品进行全面的音乐理论分析,通过与李廷松版本的《霸王卸甲》参照推敲,对刘德海特有的大师级别的演绎风格进行深度研究,并在此基础上对新编《霸王卸甲》进行了深层次的文化解读,以期待能够充分体会出作品隐藏的深刻的文化内涵和艺术价值,并从中得到启示。本文首先梳理了传统琵琶武曲的发展历史,并对《霸王卸甲》的故事取材和曲谱流传进行了介绍,接着分析了《霸王卸甲》近现代主要艺术流派及传谱情况。然后结合具体谱例,对李廷松演奏谱的汪派和刘德海演奏谱的新编版本分别从结构和技法两个方面进行了对比分析。并且分析了《霸王卸甲》的英雄性和悲剧性的审美特征,最后对传统琵琶曲目的发展现状和未来的创作和发展思路进行了展望。
[Abstract]:The lute Wu qu "overlord unarmor" is full of expressive timbre lasting appeal, exerting incisively and vividly the strong and weak internal tension and the rich and varied playing skill. Due to the diversity of the version of the performance spectrum, there are great differences between the corresponding playing styles. Wang faction, represented by Li Tingsong, focused on the heroic and invincible momentum of the overlord and the battle scenes of the ancient battlefield. Liu Dehai, on the other hand, innovated in Wang style, which not only highlighted the majestic overlord's spirit, but also vividly and delicately demonstrated the heroic spirit of Chu hegemonic king. This article attempts to carry on the comprehensive music theory analysis to this work, through consulting with Li Tingsong's version "overlord disarm armour", carries on the deep research to Liu Dehai's characteristic master level deductive style, On this basis, the author makes a deep cultural interpretation of the newly compiled "overlord and armour unloading" in order to fully understand the profound cultural connotation and artistic value of the works, and to draw inspiration from them. This article first combs the development history of the traditional pipa Wu qu, and introduces the story material and the music spectrum spread of the "overlord and disarm armour", and then analyzes the main art schools and the transmission of the music in the modern and modern times. Then, combining with specific examples, the author makes a comparative analysis of the new edition of Wang School and Liu Dehai's performance spectrum of Li Tingsong's playing spectrum from two aspects of structure and technique. It also analyzes the heroic and tragic aesthetic characteristics of "overlord and disarm armour", and finally looks forward to the present situation of the development of the purpose of the traditional pipa song and its future creation and development ideas.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.33

【参考文献】