永恒之光—利盖蒂与克拉姆的两部同名作品创作特征的比较分析

发布时间：2018-10-05 11:10

【摘要】：本文以匈牙利作曲家乔治·利盖蒂(Gyorgy Ligeti,1923-2006)创作的《永恒之光》与美国作曲家乔治·克拉姆(GeorgeCrumb,1929-)创作的《永恒之光》两部同名作品作为研究对象,通过技法分析与理论归纳,试图对两位作曲家的创作特征进行概括和比较。文章首先简略阐述利盖蒂的创作历程、理念以及利盖蒂《永恒之光》的创作背景,深入分析其作品,集中研究作品中微复调、宏复调以及核心和弦等创作技法,并全面阐释利盖蒂在作品内涵中运用宗教音乐元素的深刻含义;在第二章中简要论述克拉姆的创作历程与理念,深入剖析作品,重点研究作品中音级集合、全音音阶与音群等作曲技法,全面阐释克拉姆作品中象征、神秘主义等多元文化的美学理念与内涵。最后章节总结分析比较两位作曲家作曲技法、创作思维以及作品内涵的共通性与独特性,以此呈现两位作曲家在各自赋予独特个性的音乐语言和其音乐作品中所隐含的音乐表达上的共性。除此之外,本研究也涉及当代音乐创作中理性逻辑与感性诠释、当代作曲技法与其他艺术文化内涵的关系,笔者期望,本文能够弥补国内有关本轮题研究的匮乏,为中国当代音乐的创作与研究提供借鉴与帮助。
[Abstract]:This paper takes two works of the same name by the Hungarian composer George Ligetti (Gyorgy Ligeti,1923-2006) and the American composer George GeorgeCrumb,1929- (the Light of Eternity) as the object of study. Through technical analysis and theoretical induction, this paper makes a theoretical analysis of the two works of the same name by the Hungarian composer George Ligeti and the American composer George Kramer. This paper attempts to generalize and compare the creative characteristics of the two composers. This paper first briefly describes Ligatti's creative history, ideas and background of Ligatti's Eternal Light, analyzes his works deeply and focuses on his creative techniques, such as micro polyphony, macro polyphony and core chord, etc. In the second chapter, the author briefly discusses the creative process and concept of Kram, deeply analyzes the works, focuses on the collection of sound levels in the works, and explains the profound meaning of Ligatti's use of religious musical elements in the connotation of his works. The composition techniques, such as full tone scale and sound group, comprehensively explain the multi-cultural aesthetic concepts and connotations of symbolism and mysticism in Kram's works. The last chapter summarizes and compares the common and unique composition techniques, creative thinking and connotation of the two composers. In this way, the two composers show the commonness of their musical language and the musical expression implied in their musical works. In addition, this study also involves rational logic and perceptual interpretation in contemporary music creation, the relationship between contemporary composition techniques and other artistic and cultural connotations. The author hopes that this paper can make up for the lack of domestic research on this topic. To provide reference and help for the creation and research of Chinese contemporary music.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614

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