互动电子音乐非线性结构及其控制方法研究
发布时间：2018-10-08 19:02
【摘要】：在音乐舞台演出中,人们对互动的兴趣水涨船高。多个媒介之间的关系由关联向前递进,形成彼此相对独立,相互呼应的丰富互动形式。只通过触发预置的音频素材、结构来完成作品的方式中,作曲家和演奏家的思维处在模仿、还原预想的结构框架之下。毫无疑问,这种方式在很大程度上能够保证演出的成功,但又会对演奏者的即兴表演有所限制。随着科技的发展,计算机作为互动关系之一的重要角色,它能够做到“倾听”,并且根据情况来判断音乐下一步的进行。本文提出的非线性结构,虽早在莫扎特时已有体现,但在互动音乐形式及计算机音乐技术等的辅助下,非线性结构的体现更为多样。数字化的声音通过精细算法的映射,实现了多种非线性思维的实践。本文基于人机之间互动关系,探讨了计算机如何更大程度的让演奏员进行自由、即兴的演奏,即探讨实现非线性结构的多种控制方法。良好的音乐控制能够产生更为自然的音乐衔接。文中基于渐变原则的衔接和基于“瓦解”原则的衔接是两种近乎对立的类别,它们代表了电子音乐中典型的两种音乐语言。通过研究控制方法及案例分析,总结通过技术带来的便捷以及思维的变化。以本人现今的条件还不足以覆盖所有的软件、技术,仅提供一些具有代表性的技术手段给予读者参考。继而通过这些技术实现的非线性结构控制方法,浅析作曲家因技术而改变创作思维的问题。
[Abstract]:In the music stage performance, people's interest in interaction is rising. The relationship between multiple media is progressive by correlation, forming a rich interactive form which is relatively independent of each other and echoes each other. Only by triggering the preset audio material, structure to complete the work, the composer and performer's thinking in imitation, restore the structure of the desired framework. There is no doubt that this approach can guarantee the success of the performance to a large extent, but will limit the improvisation of the performer. With the development of science and technology, the computer, as one of the important roles of interaction, can "listen" and judge the next step of music according to the situation. Although the nonlinear structure presented in this paper has already been embodied in Mozart's time, the nonlinear structure is more diverse with the help of interactive music form and computer music technology. Digital voice can realize the practice of nonlinear thinking through the mapping of fine algorithm. Based on the interaction between human and computer, this paper discusses how the computer can let the performer perform freely and impromptu to a greater extent, that is to say, it discusses various control methods to realize the nonlinear structure. Good music control can produce more natural musical cohesion. Cohesion based on the principle of gradual change and cohesion based on the principle of "disintegration" are two kinds of almost opposite categories, which represent two typical musical languages in electronic music. By studying the control method and case analysis, the paper summarizes the convenience and the change of thinking brought by technology. My current condition is not enough to cover all the software, technology, only to provide some representative technical means to the reader reference. Then the nonlinear structure control method realized by these techniques is used to analyze the problem of the composer changing his creative thinking because of the technology.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614.8
本文编号：2257922
[Abstract]:In the music stage performance, people's interest in interaction is rising. The relationship between multiple media is progressive by correlation, forming a rich interactive form which is relatively independent of each other and echoes each other. Only by triggering the preset audio material, structure to complete the work, the composer and performer's thinking in imitation, restore the structure of the desired framework. There is no doubt that this approach can guarantee the success of the performance to a large extent, but will limit the improvisation of the performer. With the development of science and technology, the computer, as one of the important roles of interaction, can "listen" and judge the next step of music according to the situation. Although the nonlinear structure presented in this paper has already been embodied in Mozart's time, the nonlinear structure is more diverse with the help of interactive music form and computer music technology. Digital voice can realize the practice of nonlinear thinking through the mapping of fine algorithm. Based on the interaction between human and computer, this paper discusses how the computer can let the performer perform freely and impromptu to a greater extent, that is to say, it discusses various control methods to realize the nonlinear structure. Good music control can produce more natural musical cohesion. Cohesion based on the principle of gradual change and cohesion based on the principle of "disintegration" are two kinds of almost opposite categories, which represent two typical musical languages in electronic music. By studying the control method and case analysis, the paper summarizes the convenience and the change of thinking brought by technology. My current condition is not enough to cover all the software, technology, only to provide some representative technical means to the reader reference. Then the nonlinear structure control method realized by these techniques is used to analyze the problem of the composer changing his creative thinking because of the technology.
【学位授予单位】：中央音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614.8
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