廖昌永美声唱法民族化艺术实践研究

发布时间：2018-10-16 12:31

【摘要】：著名男中音歌唱家廖昌永,是当今世界上少数杰出的亚裔男中音歌唱家,有“亚洲第一男中音”和“中国第一男中音”的美誉。一年内连续三次获得国际A类声乐比赛第一名。尤其是在“多明戈世界歌剧”大赛中,打破了亚洲人无人闯入决赛拿奖的记录。辉煌的战绩,震惊了整个世界乐坛。廖昌永天生拥有一副男中音的嗓音条件,中低音音色浑厚、通透;高音音色明亮、畅通无阻、音域宽广,能够根据歌曲的风格灵活变换音色;他以系统科学的美声唱法为根基,又吸取了我国民族声乐、通俗声乐的特点,通过多元的艺术实践演唱了大量的中国艺术歌曲、中国民族歌曲、中国通俗歌曲。他的这种“跨界”演唱,打破了通俗与高雅的界限,打破了世界性与民族性的界限,为我国美声唱法民族化开辟了一条崭新的道路。本人主要从以下四个方面对廖昌永美声唱法民族化艺术实践进行研究。第一章廖昌永的成长经历与艺术成就,通过对廖昌永的成长经历、艺术成就两个方面进行归纳总结,深入了解廖昌永成名之前的现实情况。第二章美声唱法民族化在中国的提出与发展,阐述美声唱法民族化在我国提出的历史背景、发展过程,在新的时代影响下,廖昌永在美声唱法民族化方面做出的探索与实践。第三章廖昌永美声唱法民族化艺术实践的研究与分析,笔者从廖昌永美声唱法民族化的声音技巧运用、民族化的演唱风格、民族化的情感表达三方面作为切入点,分析他在美声唱法民族化方面做出的创新及贡献。第四章通过廖昌永美声唱法民族化的思考,引发对声乐艺术表演未来发展方向的思考,启发声乐教师在今后声乐教学当中的新理念、新实践、新演绎。本文以廖昌永演唱过的作品作为例子,通过分析作品,来探索他在美声唱法民族化中所作出的贡献。
[Abstract]:Liao Changyong, a famous baritone singer, is one of the few outstanding Asian baritones in the world and has the reputation of "the first baritone in Asia" and "the first baritone in China". In a year three consecutive times won the first international category A vocal competition. Especially in the Domingo World Opera contest, breaking the record of no one in Asia to win the final prize. Brilliant achievements, shocked the entire world of music. Liao Changyong was born with a baritone voice, with a deep, transparent bass; a bright, unobstructed, wide range of tones that allowed him to change timbre flexibly according to the style of the song; he was based on the systematic science of Bel Canto. After absorbing the characteristics of Chinese national vocal music and popular vocal music, the author sings a large number of Chinese art songs, Chinese folk songs and Chinese popular songs through diversified art practice. His "cross-border" singing broke the boundary between popular and elegant, broke the boundary between world and nationality, and opened a new way for the nationalization of Chinese Bel Canto. I mainly from the following four aspects of Liao Changyong Bel Canto nationalization of art practice. The first chapter is Liao Changyong's growth experience and artistic achievement. The second chapter puts forward and develops the nationalization of Bel Canto in China, and expounds the historical background and development process of nationalization of Bel Canto in China. Under the influence of the new times, Liao Changyong explores and practices the nationalization of Bel Canto. The third chapter is the research and analysis of Liao Changyong's practice of nationalization of the canto. The author starts from three aspects: the use of the sound skills, the singing style of the nationalization and the expression of the emotion of the nationalization. It analyzes his innovation and contribution in nationalization of Bel Canto. In the fourth chapter, through the reflection of Liao Changyong's nationalization of canto, the author thinks about the future development direction of vocal music art performance, and enlightens vocal music teachers' new ideas, new practices and new deductions in vocal music teaching in the future. Taking Liao Changyong's singing works as an example, this paper explores his contribution to the nationalization of the canto by analyzing his works.
【学位授予单位】：齐齐哈尔大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J616

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