勃拉姆斯《G大调第一小提琴与钢琴奏鸣曲》（OP.78）作品及演绎探究
发布时间：2018-10-18 18:36
【摘要】：约翰内斯·勃拉姆斯(Johannes Brahms,1833-1897)是19世纪下半叶浪漫主义音乐的代表人物,在室内乐与管弦乐创作方面,他继承了贝多芬与舒伯特的宏大交响性思维。室内乐在勃拉姆斯的作品中占据较大比重,其生前公开出版的三部小提琴奏鸣曲是其创作顶峰时期的作品。《G大调第一小提琴与钢琴奏鸣曲》(OP.78)创作于1878-79年间。虽然是第一次写作该种体裁的作品,但勃拉姆斯在技法与结构的处理上已臻成熟,该作品中将伤感之情揉入优美的旋律之中,反应了作曲家本人对于生与死这一根本问题的思考。本文通过对勃拉姆斯音乐创作思维的研究及对该部作品细节性的分析,从而探讨在实际演绎该作过程中的潜在性问题与解决方法,试图达到理论与实践的完美统一。
[Abstract]:Johnannes Johannes Brahms,1833-1897 is a representative figure of romantic music in the second half of the 19 th century. He inherited Beethoven and Schubert's grand symphonic thinking in the creation of chamber music and orchestral music. Chamber music occupies a large proportion of Brahms' works. His three violin sonatas published in his lifetime were his works at the peak of his creation. < Violin and Piano Sonata No. 1 in G major (OP.78) was written in 1878-79. Although it was the first time that the genre had been written, Brahms had matured in his techniques and structure, in which sentimental feelings were rubbed into a beautiful melody, It reflects the composer's own thinking on the fundamental question of life and death. Through the study of Brahms' music creation thinking and the analysis of the detail of the works, this paper discusses the potential problems and solutions in the process of actual deduction of the work, and tries to achieve the perfect unity of theory and practice.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J62
本文编号：2280021
[Abstract]:Johnannes Johannes Brahms,1833-1897 is a representative figure of romantic music in the second half of the 19 th century. He inherited Beethoven and Schubert's grand symphonic thinking in the creation of chamber music and orchestral music. Chamber music occupies a large proportion of Brahms' works. His three violin sonatas published in his lifetime were his works at the peak of his creation. < Violin and Piano Sonata No. 1 in G major (OP.78) was written in 1878-79. Although it was the first time that the genre had been written, Brahms had matured in his techniques and structure, in which sentimental feelings were rubbed into a beautiful melody, It reflects the composer's own thinking on the fundamental question of life and death. Through the study of Brahms' music creation thinking and the analysis of the detail of the works, this paper discusses the potential problems and solutions in the process of actual deduction of the work, and tries to achieve the perfect unity of theory and practice.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J62
【参考文献】
相关硕士学位论文 前1条
1 顾渝蛟;勃拉姆斯《第一小提琴奏鸣曲》音乐分析与演奏研究[D];中央音乐学院;2014年
，本文编号：2280021
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