韩愈音乐美学观的“性情三品”人性论基
发布时间：2018-10-19 07:05
【摘要】：韩愈的《听颖师弹琴》一诗,在琴史以及琴乐美学思想史上,具有特殊而重要的意义。对韩愈此诗所反映的琴乐审美观念及其真实态度的关注,就成为从音乐美学角度认识或评价其思想史价值的缘起。韩愈《送孟东野序》一文,在当音乐美学研究中被集中关注的美学观念或命题,是"物不得其平则鸣"这样一个论点。
[Abstract]:Han Yu's "listening to Ying Shi playing the piano" is of special and important significance in the history of Qin and the history of Qin's aesthetic thoughts. The concern for Han Yu's aesthetic concept and true attitude towards Qin music in this poem has become the origin of understanding or evaluating the historical value of his thoughts from the point of view of music aesthetics. Han Yu's "Preface to send Meng Dongye", an aesthetic concept or proposition that has been focused on in the study of music aesthetics, is an argument that "things cannot be heard even as they are".
【作者单位】： 中国音乐学院;
【分类号】：J601
[Abstract]:Han Yu's "listening to Ying Shi playing the piano" is of special and important significance in the history of Qin and the history of Qin's aesthetic thoughts. The concern for Han Yu's aesthetic concept and true attitude towards Qin music in this poem has become the origin of understanding or evaluating the historical value of his thoughts from the point of view of music aesthetics. Han Yu's "Preface to send Meng Dongye", an aesthetic concept or proposition that has been focused on in the study of music aesthetics, is an argument that "things cannot be heard even as they are".
【作者单位】： 中国音乐学院;
【分类号】：J601
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1 李映明;;听颖师弹琴[J];音乐爱好者;1989年06期
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