交响组曲《舍赫拉查德》结构与发展手法解析
发布时间：2018-10-22 16:43
【摘要】：交响组曲《舍赫拉查德》是里姆斯基·柯萨科夫以阿拉伯传奇故事《一千零一夜》中的某几个场景为线索而创作的结构奇特的交响乐作品,在作曲手法方面有许多独特的处理。通过对交响组曲《舍赫拉查德》四个乐章的曲式结构和发展手法分析梳理,发现此曲既具有单乐章性,又具有套曲性;用两个主题及其变形贯串多个乐章,是组曲性与回旋性的嫁接而形成的边缘性曲式;连续使用大二度的模进展开手法,暗含有全音音阶结构。
[Abstract]:Symphonic Suite "Shehlachard" is a strange symphony composed by Rimsky Korsakov with the clue of several scenes in the Arab Legend < Thousand and one Nights, and has many unique handling in composition technique. By analyzing the structure and development methods of the four movements of symphonic Suite "Shehlachard", it is found that this song has both single movement and formality, with two themes and its deformation running through multiple movements. It is a marginal form formed by the grafting of suites and gyroscopes, and the continuous use of a large second degree forward expansion technique implies a full tone scale structure.
【作者单位】： 合肥幼儿师范高等专科学校艺术系;蚌埠学院音乐与舞蹈系;
【分类号】：J614.3
本文编号：2287724
[Abstract]:Symphonic Suite "Shehlachard" is a strange symphony composed by Rimsky Korsakov with the clue of several scenes in the Arab Legend < Thousand and one Nights, and has many unique handling in composition technique. By analyzing the structure and development methods of the four movements of symphonic Suite "Shehlachard", it is found that this song has both single movement and formality, with two themes and its deformation running through multiple movements. It is a marginal form formed by the grafting of suites and gyroscopes, and the continuous use of a large second degree forward expansion technique implies a full tone scale structure.
【作者单位】： 合肥幼儿师范高等专科学校艺术系;蚌埠学院音乐与舞蹈系;
【分类号】：J614.3
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