舒曼音乐评论思想及实践

发布时间：2018-11-03 14:24

【摘要】：罗伯特·舒曼是浪漫主义时期著名的音乐评论家和作曲家。他的音乐评论敏锐而独特,对当时的浪漫主义潮流和不知名的作曲家起了很大的影响;他的音乐创作热情而富有诗意,诞生了脍炙人口的音乐佳作。舒曼的音乐评论思想和音乐创作是他所处那个时代的缩影,本文主要以音乐评论的视角来审视他的音乐活动,进而全面地对其进行评价。本文系统地对舒曼音乐评论文本进行分析理解,结合相关理论知识来探究音乐评论所蕴含的特点。笔者认为矛盾性、客观性、全面性、敏锐性是其进行音乐评论写作的显著特色。音乐评论指导着音乐实践,通过对舒曼音乐评论的研究,笔者认为所蕴含的特点在其钢琴套曲中有着明显的体现。最后论文分别从宏观和微观两个角度对舒曼做整体评价,并指出了本研究对音乐评论和当代音乐发展的启示。笔者认为对于舒曼的全面研究不仅对音乐理论的深入而且对音乐实践发展都具有积极的启发。本文共包含绪论,正文和结语三个部分。绪论主要介绍研究缘起、研究现状、研究方法、研究价值等。正文中第二章主要叙述了作曲家舒曼的音乐天赋、文学才能以及何以成为音乐评论家的原因。第三章系统介绍了舒曼音乐评论中蕴含思想特点,其中渗透了对各个作曲家的细节评论。第四章主要介绍了舒曼音乐评论思想与三首钢琴套曲的互动关系,以及舒曼是如何达到理论与实践的统一。结论中首先从宏观和微观两个角度对舒曼进行评价,其次总结出舒曼音乐评论的特点,最后阐明本研究对音乐评论和当代音乐发展的意义。
[Abstract]:Robert Schumann was a famous music critic and composer during the Romantic period. His music criticism was sharp and unique, which had a great influence on the romantic trend and the unknown composers at that time, and his music creation was passionate and poetic, and gave birth to a famous musical masterpiece. Schumann's thought and creation of music criticism is the epitome of his time. This paper mainly examines his music activities from the perspective of music criticism and then evaluates his music activities in an all-round way. This paper systematically analyzes and understands Schumann's music review texts and explores the characteristics of music reviews by combining relevant theoretical knowledge. The author thinks that contradiction, objectivity, comprehensiveness and acumen are the distinctive features of his music criticism. Music criticism guides the practice of music. Through the study of Schumann's music criticism, the author thinks that the characteristics contained in the music criticism are obviously reflected in his piano ensemble. Finally, the thesis evaluates Schumann from macro and micro perspectives, and points out the enlightenment of this study to the development of music criticism and contemporary music. The author thinks that the comprehensive study of Schumann is not only helpful to the development of music theory, but also to the development of music practice. This paper consists of three parts: introduction, text and conclusion. Introduction mainly introduces the origin of the research, research status, research methods, research value and so on. The second chapter mainly describes the composer Schumann's musical talent, literary talent and why he became a music critic. Chapter three systematically introduces the characteristics of Schumann's music criticism, which permeates the detailed comments of various composers. The fourth chapter mainly introduces the interaction between Schumann's music criticism thought and three piano ensembles, and how Schumann achieves the unity of theory and practice. In conclusion, Schumann is evaluated from macro and micro perspectives, and the characteristics of Schumann's music review are summarized. Finally, the significance of this study to the development of music criticism and contemporary music is expounded.
【学位授予单位】：济南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J605

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