楚雄彝族四弦琴的起源及形制
发布时间：2018-11-04 14:26
【摘要】：正随着时间的流逝,民族文化的差异,生活习惯的不同,月琴在各地都有了一定的改变。例如在楚雄地区就有"牟定八方月琴""镇南月琴""双柏四弦"等,从形制来看,琴身不再只是单一的圆形,头部也更多换为"龙头",琴身上更是加了许多具有意义的图案和装饰。彝族人民也更多的将其称之为——
[Abstract]:With the passage of time, the difference of national culture and living habits, Yueqin has changed in different places. For example, in the Chuxiong area, there are "Mouding Bafangyueqin", "Zhennan Yueqin", "Shuangbai Sixian" and so on. In terms of shape, the body of the piano is no longer just a single circle, but the head is changed to a "tap." There are many meaningful designs and decorations on the piano. The Yi people are also more likely to call it-
【作者单位】： 楚雄师范学院音乐学院;
【分类号】：J632.35
本文编号：2310084
[Abstract]:With the passage of time, the difference of national culture and living habits, Yueqin has changed in different places. For example, in the Chuxiong area, there are "Mouding Bafangyueqin", "Zhennan Yueqin", "Shuangbai Sixian" and so on. In terms of shape, the body of the piano is no longer just a single circle, but the head is changed to a "tap." There are many meaningful designs and decorations on the piano. The Yi people are also more likely to call it-
【作者单位】： 楚雄师范学院音乐学院;
【分类号】：J632.35
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