酒神的迷狂与日神的清澈——审美现代性视阈下的20世纪宗教新音乐
发布时间：2018-11-07 09:17
【摘要】：正一、关于20世纪宗教新音乐宗教新音乐不仅是音乐研究的重要对象,还因其充分体现了启蒙现代性与文化现代性的紧张关系,并作为审美现代性实现的有力途径,而成为美学和文化研究关注的对象。假如说20世纪的西方文化是大破大立、探索创新、离经叛道而五彩纷呈的文化,应该不是夸张。西方文化在20世纪里逐渐走向个性与多元化,它怀抱中的宗教音乐理所当然地从这一母体吸收了充分的营养,从音乐形式到所蕴含的时代精神都发生了令人惊异的变化。从历史上看,西方宗教音乐的发展形态很像一棵树,它是在变化又连续的环境里生长起
[Abstract]:First, new religious music in the 20th century is not only an important object of music research, but also a powerful way to realize aesthetic modernity, because it fully embodies the tense relationship between enlightenment modernity and cultural modernity. And becomes the esthetics and the cultural research object which pays close attention to. It is not exaggeration to say that the western culture of the 20 th century is a great break-down, exploring innovation, deviant and colorful culture. In the 20th century, Western culture gradually moved towards individuality and pluralism, and the religious music in its embrace naturally absorbed sufficient nutrition from this parent body, and the form of music and the spirit of the times contained in it all changed amazingly. Historically, the development of Western religious music is very much like a tree, it is growing in a changing and continuous environment.
【作者单位】： 北京工业大学人文学院;
【基金】：北京市社会科学基金项目,编号:15WYC080
【分类号】：J608
本文编号：2315895
[Abstract]:First, new religious music in the 20th century is not only an important object of music research, but also a powerful way to realize aesthetic modernity, because it fully embodies the tense relationship between enlightenment modernity and cultural modernity. And becomes the esthetics and the cultural research object which pays close attention to. It is not exaggeration to say that the western culture of the 20 th century is a great break-down, exploring innovation, deviant and colorful culture. In the 20th century, Western culture gradually moved towards individuality and pluralism, and the religious music in its embrace naturally absorbed sufficient nutrition from this parent body, and the form of music and the spirit of the times contained in it all changed amazingly. Historically, the development of Western religious music is very much like a tree, it is growing in a changing and continuous environment.
【作者单位】： 北京工业大学人文学院;
【基金】：北京市社会科学基金项目,编号:15WYC080
【分类号】：J608
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