汉语传统吟诵调的音乐美学问题研究
发布时间：2018-11-07 14:03
【摘要】：吟诵是声音的艺术,是学习、欣赏与传播诗词文赋的有声载体,它包含乐音,具有音乐性。吟诵的急徐高低有一定规则可循,通常按照“平长仄短”、“平高仄低”或“平低仄高”来吟诵。当前的吟诵包括传统吟诵调(由师傅带徒弟口耳相传下来的吟诵调,本文主要研究传统吟诵调)新吟诵及类似于歌唱的新吟唱。本文第一章论述吟诵的定义,关于吟诵与歌唱的区别,从方法性、功能性、指向性、本位性等方面加以区分。第二章论述吟诵的音长问题,发现非“平长仄短”的现象约占到三成比例,这就打破了被吟诵界通常视为金科玉律的“平长仄短”原则。从现象层面总结出“有控制的自由”这一美学观。“自由”给予吟诵活的生命,是声情之美的寄托。“控制”恰好保证了吟诵的规范性和艺术性。第三章论述吟诵的音高,分析了相邻平仄字之间的音高关系,一字多音的音腔特征以及平仄字对应音高的旋律音程,并对秦德祥先生“平直仄曲”的说法提出了商榷。每相邻平仄两字的旋律音程和每首吟诵的总音域不大,从某种层面上体现出吟诵蕴藏着中正平和的美学特点。吟诵的声情之美重在情的体悟。情发于内,是灵动的,具有一定自由度,吟诵因此也具有活态性质。对吟诵的研究需要建立在大量实证性考察的基础之上,从形态现象中找寻规律,而现象背后所隐藏的思想则是解释其为何成形的根本原因。本文是在对当代传统流派吟诵调的实证性研究层面上,就吟诵的定义、音长及音高的问题做了分析,揭示出部分形态背后的音乐美学思想,这也是吟诵的先行研究中长期被忽略的课题。
[Abstract]:Recitation is the art of sound and the sound carrier of learning, appreciating and spreading poetry and prose. There are certain rules to follow in reciting, usually according to "flat long short", "flat low" or "flat low height" to recite. The current recitation includes the traditional chanting (which is passed down by the teacher with the apprentice's mouth, this paper mainly studies the traditional chanting) and the new singing similar to the singing. The first chapter discusses the definition of recitation, the difference between recitation and singing, from the aspects of method, function, directionality, standard and so on. The second chapter discusses the sound length of recitation, and finds that the phenomenon of non-" flat and narrow short "accounts for about 30%, which breaks the principle of" average length and short ", which is usually regarded as the golden rule in recitation circles. The aesthetic view of "controlled freedom" is summed up from the aspect of phenomenon. Freedom gives a living life and is the sustenance of the beauty of sound. "Control" just guarantees the normative and artistic nature of recitation. The third chapter discusses the pitch of reciting, analyzes the relationship between the pitch of the adjacent Chinese characters, the characteristics of the multi-tone of a word and the melodic interval of the corresponding pitch of the word, and discusses the statement of Mr. Qin Dexiang's "straight and straight". The melodic interval of each contiguous word and the total range of each recitation are not large, which embodies the aesthetic characteristics of Zhongzheng peace in recitation on a certain level. The beauty of the recited voice lies in the understanding of the feeling. Feeling in the inside, is smart, has a certain degree of freedom, reciting, and therefore also has the nature of living. The study of recitation needs to be based on a large number of empirical investigations to find out the law from the phenomenon of form, and the hidden thought behind the phenomenon is the fundamental reason why it is formed. This paper analyzes the definition, length and pitch of recitation from the perspective of the empirical research on the chanting tone of contemporary traditional schools, and reveals the aesthetic thoughts of music behind some of the forms. This is also a subject that has long been neglected in the first study of recitation.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J601
本文编号：2316583
[Abstract]:Recitation is the art of sound and the sound carrier of learning, appreciating and spreading poetry and prose. There are certain rules to follow in reciting, usually according to "flat long short", "flat low" or "flat low height" to recite. The current recitation includes the traditional chanting (which is passed down by the teacher with the apprentice's mouth, this paper mainly studies the traditional chanting) and the new singing similar to the singing. The first chapter discusses the definition of recitation, the difference between recitation and singing, from the aspects of method, function, directionality, standard and so on. The second chapter discusses the sound length of recitation, and finds that the phenomenon of non-" flat and narrow short "accounts for about 30%, which breaks the principle of" average length and short ", which is usually regarded as the golden rule in recitation circles. The aesthetic view of "controlled freedom" is summed up from the aspect of phenomenon. Freedom gives a living life and is the sustenance of the beauty of sound. "Control" just guarantees the normative and artistic nature of recitation. The third chapter discusses the pitch of reciting, analyzes the relationship between the pitch of the adjacent Chinese characters, the characteristics of the multi-tone of a word and the melodic interval of the corresponding pitch of the word, and discusses the statement of Mr. Qin Dexiang's "straight and straight". The melodic interval of each contiguous word and the total range of each recitation are not large, which embodies the aesthetic characteristics of Zhongzheng peace in recitation on a certain level. The beauty of the recited voice lies in the understanding of the feeling. Feeling in the inside, is smart, has a certain degree of freedom, reciting, and therefore also has the nature of living. The study of recitation needs to be based on a large number of empirical investigations to find out the law from the phenomenon of form, and the hidden thought behind the phenomenon is the fundamental reason why it is formed. This paper analyzes the definition, length and pitch of recitation from the perspective of the empirical research on the chanting tone of contemporary traditional schools, and reveals the aesthetic thoughts of music behind some of the forms. This is also a subject that has long been neglected in the first study of recitation.
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J601
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