舒曼《交响练习曲》五首遗作的艺术特征
发布时间：2018-11-08 09:20
【摘要】：罗伯特·亚历山大·舒曼(Robert Alexander Schumann,1810 1856),是十九世纪浪漫主义初期伟大的作曲家,音乐评论领域的先行者。他的音乐根植在贯穿了美学思想始终的情感论中。《交响练习曲》是舒曼最特别的作品,它大胆冲破规则,具有练习曲、套曲、变奏曲三种曲式特征以及磅礴的交响乐气势和辉煌的演奏技术。在舒曼遗稿中发现的《交响练习曲》五首遗作,是在创作时期被舒曼剔除的作品,许多钢琴家会把五首遗作加入进来。笔者将以音乐本体的艺术特征以及音乐表演中的艺术特征来分析五首遗作。
[Abstract]:Robert Alexander Schumann (Robert Alexander Schumann,1810 1856) was a great composer in the early nineteenth century romanticism and a pioneer in the field of music criticism. His music is rooted in the emotional theory that permeates aesthetic thought all the time. Symphony Etudes is Schumann's most special work. Variations of the three forms of music, as well as the momentum of the magnificent symphony and brilliant performance techniques. The five pieces of symphonic etudes found in Schumann's manuscripts were rejected by Schumann during the period of creation, and many pianists will add them. The author will analyze the five posthumous works by the artistic characteristics of musical Noumenon and the artistic characteristics of musical performance.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614
本文编号：2318050
[Abstract]:Robert Alexander Schumann (Robert Alexander Schumann,1810 1856) was a great composer in the early nineteenth century romanticism and a pioneer in the field of music criticism. His music is rooted in the emotional theory that permeates aesthetic thought all the time. Symphony Etudes is Schumann's most special work. Variations of the three forms of music, as well as the momentum of the magnificent symphony and brilliant performance techniques. The five pieces of symphonic etudes found in Schumann's manuscripts were rejected by Schumann during the period of creation, and many pianists will add them. The author will analyze the five posthumous works by the artistic characteristics of musical Noumenon and the artistic characteristics of musical performance.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614
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