中阮协奏曲《云南回忆》的创作特征及演奏技巧

发布时间：2018-11-08 16:50

【摘要】：第一首中阮协奏曲《云南回忆》在1986年创作而成。作品取材于云贵高原的多民族原生态音乐,描写了云南地区的多民族人们的生活状态和民族风情。乐曲在创作特征和演奏技巧上均与传统乐曲大有不同,其利用中阮的独特音色,与西方作曲技法和现代的演奏技法相结合,使之与时俱进却又不失民族风味,向世人展现出了云南这片神秘净土上的民族风情和人文景观。著名作曲家和阮演奏家刘星先生,为阮的发展和改革做出了突出的贡献。他在创作曲目时大量借鉴了吉他的演奏手法,从而更加丰富了阮的演奏技巧,并且用他颇有个性的创作手法对作品的和声和调性进行了大胆的尝试和改革,后创作出了《云南回忆》这首曲子。在创作特征上,笔者主要从采用民族调式与现代作曲技法相融合、采用西方的作曲技法和节奏特征以及大量的和弦三个板块进行详细的分析。在演奏方式上,笔者主要从常规性演奏技巧与创新性演奏技巧两方面进行阐述,刘星先生不仅运用了滑音、打音、带音、推拉弦、扫拂、止音等常规性的演奏技巧,并且加入了靠近琴码演奏的创新性技巧。但是尽管作者大量吸收了西方音乐元素和现代的作曲技法,如布鲁斯节奏的特点以及功能性和弦的大量运用等,但正如刘星先生所说:“我猜想《云南回忆》肯定会受这些西方音乐的影响,但是这些其实只是表面影响,在《云南回忆》中比较深层的影响还是民族的多一些。”所以在分析过程中也发现民族性是其创作的基础和来源。通过研究也可以看出,对于分析《云南回忆》的创作特征与演奏技巧的文章较少,因此本文主要从这两方面进行详细分析,并进一步讨论民间器乐创作作品的传承和创新问题。
[Abstract]:The first Ruan Concerto, Yunnan memories, was written in 1986. The works are based on the original ecological music of Yunnan-Guizhou Plateau and describe the living conditions and ethnic customs of the multi-ethnic people in Yunnan. The composition is very different from the traditional music in its creative characteristics and performance techniques. The unique timbre of Ruan is combined with western composing techniques and modern playing techniques, so that it can keep pace with the times without losing its national flavor. To show the world this mysterious pure land of ethnic customs and cultural landscape. Mr. Liu Xing, a famous composer and performer, made outstanding contributions to the development and reform of Ruan. When he created the repertoire, he borrowed a lot of guitar playing techniques, thus enriched Ruan's playing skills, and used his own creative techniques to make bold attempts and reforms on the harmony and tonality of the works. After the creation of "Yunnan memories" this song. In terms of creative features, the author mainly from the use of national mode and modern composition techniques to merge, the use of Western composition techniques and rhythm characteristics and a large number of chords of the three plates to carry out a detailed analysis. In the way of playing, the author mainly expounds from two aspects of the conventional performance technique and the innovative performance technique. Mr. Liu Xing not only uses the conventional playing techniques, such as slippery, playing, banding, pushing and pulling strings, sweeping and stopping the sound, etc. And added the innovative technique of playing close to the piano code. But although the author absorbed a lot of western musical elements and modern composing techniques, such as the characteristics of blues rhythm and the extensive use of functional chords, But as Mr. Liu Xing said, "I suspect that" Yunnan memories "will definitely be influenced by these western music, but these are in fact only superficial effects, in the" Yunnan memories "the deeper influence is still a little more national. Therefore, in the process of analysis, we also found that nationality is the basis and source of its creation. It can also be seen from the study that there are few articles on the analysis of the creative characteristics and performance techniques of Yunnan memory, so this paper mainly analyzes these two aspects in detail, and further discusses the inheritance and innovation of folk instrumental works.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J632.35

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