巴洛克长笛的发展演变与历史价值研究

发布时间：2018-11-10 07:17

【摘要】：长笛(Flute)作为现代管弦乐团木管组的重要成员,有悠久的发展历史和丰富的人文内涵。在漫长的发展演变过程中,它由最初的骨笛到中世纪初期的民族乐器,直至中世纪文艺复兴时期,长笛已成为军乐演奏家和城市音乐家的吹奏乐器,继而成为名副其实的乐队演奏乐器。其间,最具承前启后意义的改革是十七世纪下半叶,一群法国演奏者和工匠们首次制作出来了单键圆锥形管腔长笛,即史称的“巴洛克长笛”。“巴洛克长笛”音孔较之前更加精确,使得音准有了较大改善,同时笛身之间接缝也能自由拉开以便调节音高,这使“巴洛克长笛”作为标准模式在十八世纪上半叶得到了音乐界的承认。改良后的长笛在获得重要的地位之后,无论是作品数量还是专业演奏人员的数量,都出现了空前的繁荣。论文的本论由四个部分组成。第一部分对17世纪以前长笛在形制上的变化作了详细的阐述,重点说明不同时期长笛形制的差异;第二部分论述了巴洛克长笛在音色、音域、音准、技法上较之前长笛的改良;第三部分用实证的方法探究了巴洛克时期重要的音乐家、杰出作品,并进一步比较分析巴洛克长笛与现代长笛的差异,指出其局限性;第四部分论述了巴洛克长笛艺术价值的复兴并展望了我国长笛的发展。
[Abstract]:As an important member of woodwind group of modern orchestra, flute (Flute) has a long history of development and rich humanistic connotation. In the long process of development and evolution, from the initial bone flute to the early medieval national instruments, until the Middle Ages Renaissance, flute has become a military musician and city musician's playing instrument. Then it became a real band playing musical instruments. In the second half of the seventeenth century, a group of French players and craftsmen first produced a single key conical flute, known as "Baroque flute". "Baroque flute" sound holes are more accurate than before, resulting in a greater improvement in tone, and the flutes between the seams are also free to open in order to adjust the pitch, This made Baroque flute a standard model recognized by the music world in the first half of the eighteenth century. After the improved flute has gained an important position, both the number of works and the number of professional performers have seen unprecedented prosperity. The thesis consists of four parts. In the first part, the changes of flute shape before the 17th century are expounded in detail, with emphasis on the differences of flute shape in different periods, the second part discusses the improvement of the flute in tone color, timbre range, pitch and technique. The third part explores the important musicians and outstanding works in Baroque period, and further compares and analyzes the difference between Baroque flute and modern flute, and points out its limitation. The fourth part discusses the revival of the artistic value of Baroque flute and looks forward to the development of flute in China.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J621.1

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