论中国社会早期的音乐哲学
发布时间：2018-11-10 08:47
【摘要】：在现代形态的音乐史研究中,人们已习惯于将审美价值视为音乐的核心价值,将音乐的历史看作被"审美"一词限定的历史,但在中国社会早期,音乐的价值却远远溢出了美的边界,几乎可以将中国人的天地人神之思一网打尽。就哲学而言,这种围绕音乐的思考主要表现在三个方面:一是将道、气、风、声视为音乐的本源,从而将人工艺术与天地自然打通;二是将声律、音律或乐律理解为具有普遍约束力的律法,从而将音乐秩序挪移为宇宙秩序;三是以道论、数论和气论为音乐进行本体论定位,从而使音乐的价值获得形而上的阐明。要而言之,在中国社会早期的观念中,音乐被视为世界存在的基本性状,它的哲学品格要远远大于美学品格。这预示着一种回归中国历史本身的音乐史研究,必须超越美和艺术的限界,将其作为一种普遍性的世界经验来看待。
[Abstract]:In the study of music history in modern forms, people have been used to regard aesthetic value as the core value of music, and the history of music as the history defined by the word "aesthetic", but in the early stage of Chinese society, The value of music, however, extends far beyond the boundaries of beauty and can almost wipe out the Chinese thoughts of heaven, earth, man and god. As far as philosophy is concerned, this kind of thinking about music is mainly manifested in three aspects: first, the Tao, qi, wind and sound are regarded as the origin of music, thus the artificial art and the nature of heaven and earth are connected; The second is to understand the rhythm, rhythm or music as the universal binding law, thus moving the music order to the universal order; Thirdly, the theory of Tao, the theory of number and the theory of Qi are the ontological orientation of music, so that the value of music can be elucidated metaphysical. To put it another way, in the early concept of Chinese society, music was regarded as the basic character of the existence of the world, and its philosophical character was far greater than that of aesthetics. This indicates that the study of music history returning to Chinese history itself must transcend the limits of beauty and art and treat it as a universal world experience.
【作者单位】： 北京师范大学哲学学院;
【基金】：国家社科基金艺术学重大项目“传统礼乐文明与当代文化建设研究”,项目编号:17ZD03 北京舞蹈学院人才强教特聘客座专家计划项目(2016年)“中国古典乐舞的早期形式与哲学生成”
【分类号】：J60-02
本文编号：2321963
[Abstract]:In the study of music history in modern forms, people have been used to regard aesthetic value as the core value of music, and the history of music as the history defined by the word "aesthetic", but in the early stage of Chinese society, The value of music, however, extends far beyond the boundaries of beauty and can almost wipe out the Chinese thoughts of heaven, earth, man and god. As far as philosophy is concerned, this kind of thinking about music is mainly manifested in three aspects: first, the Tao, qi, wind and sound are regarded as the origin of music, thus the artificial art and the nature of heaven and earth are connected; The second is to understand the rhythm, rhythm or music as the universal binding law, thus moving the music order to the universal order; Thirdly, the theory of Tao, the theory of number and the theory of Qi are the ontological orientation of music, so that the value of music can be elucidated metaphysical. To put it another way, in the early concept of Chinese society, music was regarded as the basic character of the existence of the world, and its philosophical character was far greater than that of aesthetics. This indicates that the study of music history returning to Chinese history itself must transcend the limits of beauty and art and treat it as a universal world experience.
【作者单位】： 北京师范大学哲学学院;
【基金】：国家社科基金艺术学重大项目“传统礼乐文明与当代文化建设研究”,项目编号:17ZD03 北京舞蹈学院人才强教特聘客座专家计划项目(2016年)“中国古典乐舞的早期形式与哲学生成”
【分类号】：J60-02
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