李斯特《浮士德交响曲》研究
发布时间：2018-11-12 14:24
【摘要】：李斯特是浪漫主义时期最重要的标题音乐作曲家之一。他频繁地采用诗歌作为音乐创作的灵感来源,强调音乐的诗意化,实现了交响音乐的革新。在李斯特的众多标题音乐创作中,《浮士德交响曲》是十分重要和特殊的一部作品。这部作品创作于魏玛时期,显示出他对标题性交响音乐语言的探索与实践成果。同时,"浮士德精神"又是李斯特音乐人生中的重要意象,作为一种符号象征与浪漫主义时期的整体文化语境形成呼应。本文以《浮士德交响曲》为研究对象,以音乐史学为基本研究方法,结合作品分析等途径,深度探究这部作品的音乐语言特征与标题性含义,并延伸讨论浮士德精神在李斯特创作生涯乃至西方音乐文化中的特殊意义。本文共有四章。其中,第一章将《浮士德交响曲》置于浪漫主义音乐发展的整体背景中,对李斯特以"诗意音乐"为核心的标题音乐理念进行解读。同时,通过阐述浪漫主义时期的"浮士德"音乐现象,凸显《浮士德交响曲》的重要性和特殊性。第二章以《浮士德》从文学作品到音乐作品的转化作为观察对象。首先针对西方浮士德传奇的文学发展脉络展开简要梳理,并以歌德的《浮士德》诗剧为标准参照。继而从"戏剧化"和"器乐化"两个途径探究作曲家对这一题材的处理方式,以柏辽兹和瓦格纳的相关作品作为例证,与李斯特的《浮士德交响曲》产生对比。第三章是本文的核心章节,进入到《浮士德交响曲》的音乐创作分析与标题性意涵解读,分别从音乐主题的构建、主题变形技法的运用和整体结构设计三个方面展开分析。其中,刻画性格体现出李斯特典型的标题音乐写作角度,而主题变形作为音乐发展手段,一方面完成音乐逻辑的展开,另一方面也带来标题性内容的隐喻。此外,多层次结构反映了李斯特对传统曲式的突破,也是标题音乐创作的共同特征。第四章基于以上内容,进一步阐释《浮士德交响曲》的艺术特征与人文蕴涵。通过对李斯特交响作品的整体观察,总结出他最具特色的标题音乐语言。最后对"浮士德"精神在李斯特艺术生涯中的联想做以解读,这种情怀不仅是他自身理想的投射,更是浪漫主义文化的缩影。
[Abstract]:Liszt was one of the most important composers of title music during the Romantic period. He frequently uses poetry as the inspiration source of music creation, emphasizes the poetic meaning of music, and realizes the innovation of symphony music. Among Liszt's numerous captions, the Faustus Symphony is a very important and special work. This work, written in Weimar period, shows his exploration and practice of title symphony music language. At the same time, Faust Spirit is an important image in Liszt's music life. This paper takes Faustus Symphony as the research object, takes the music history as the basic research method, combines the work analysis and other ways, deeply explores the music language characteristic and the title meaning of this work. It also discusses the special significance of Faust's spirit in Liszt's writing career and even in western music culture. There are four chapters in this paper. The first chapter puts Faustus Symphony under the overall background of the development of Romantic music, and interprets Liszt's title music idea with poetic music as the core. At the same time, the significance and particularity of Faustus Symphony are highlighted by expounding the musical phenomenon of Faust in the Romantic period. The second chapter focuses on the transformation of Faust from literature to music. Firstly, it briefly combs the literary development of Faustus Legend in the West, and makes reference to Goethe's Faustus. Then it explores the way the composer deals with this subject from the two ways of "dramatization" and "instrumental music", taking Berlioz and Wagner's related works as examples, and contrasts with Liszt's "Faustus Symphony". The third chapter is the core chapter of this paper, into the "Faustus Symphony" music creation analysis and title meaning interpretation, respectively from the music theme construction, theme deformation techniques and the overall structure of the three aspects of the analysis. Among them, characterizing character reflects Liszt's typical angle of title music writing. As a means of music development, thematic deformation, on the one hand, completes the development of music logic, on the other hand, it also brings about metaphor of title content. In addition, the multi-level structure reflects Liszt's breakthrough in traditional forms and the common feature of title music creation. The fourth chapter, based on the above, further explains the artistic features and humanistic implications of the Faustus Symphony. Through the overall observation of Liszt's symphonic works, the author summarizes his most distinctive title music language. Finally, the association of Faustus spirit in Liszt's art career is interpreted, which is not only the projection of his own ideal, but also the epitome of Romantic culture.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614
本文编号：2327369
[Abstract]:Liszt was one of the most important composers of title music during the Romantic period. He frequently uses poetry as the inspiration source of music creation, emphasizes the poetic meaning of music, and realizes the innovation of symphony music. Among Liszt's numerous captions, the Faustus Symphony is a very important and special work. This work, written in Weimar period, shows his exploration and practice of title symphony music language. At the same time, Faust Spirit is an important image in Liszt's music life. This paper takes Faustus Symphony as the research object, takes the music history as the basic research method, combines the work analysis and other ways, deeply explores the music language characteristic and the title meaning of this work. It also discusses the special significance of Faust's spirit in Liszt's writing career and even in western music culture. There are four chapters in this paper. The first chapter puts Faustus Symphony under the overall background of the development of Romantic music, and interprets Liszt's title music idea with poetic music as the core. At the same time, the significance and particularity of Faustus Symphony are highlighted by expounding the musical phenomenon of Faust in the Romantic period. The second chapter focuses on the transformation of Faust from literature to music. Firstly, it briefly combs the literary development of Faustus Legend in the West, and makes reference to Goethe's Faustus. Then it explores the way the composer deals with this subject from the two ways of "dramatization" and "instrumental music", taking Berlioz and Wagner's related works as examples, and contrasts with Liszt's "Faustus Symphony". The third chapter is the core chapter of this paper, into the "Faustus Symphony" music creation analysis and title meaning interpretation, respectively from the music theme construction, theme deformation techniques and the overall structure of the three aspects of the analysis. Among them, characterizing character reflects Liszt's typical angle of title music writing. As a means of music development, thematic deformation, on the one hand, completes the development of music logic, on the other hand, it also brings about metaphor of title content. In addition, the multi-level structure reflects Liszt's breakthrough in traditional forms and the common feature of title music creation. The fourth chapter, based on the above, further explains the artistic features and humanistic implications of the Faustus Symphony. Through the overall observation of Liszt's symphonic works, the author summarizes his most distinctive title music language. Finally, the association of Faustus spirit in Liszt's art career is interpreted, which is not only the projection of his own ideal, but also the epitome of Romantic culture.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J614
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